Total Eclipse of the Sun Travel Poster by John Held Jr., 1932

4.9 (84 reviews)
Printed and framed in the EU
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90-day returns · 10-year guarantee
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Restored in our workshop from the original 1932 artwork and printed to museum-grade archival standards. Full description
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John Held Jr.’s 1932 poster Total Eclipse of the Sun. Plan Now to Witness This Amazing Phenomenon. Travel by Train to Vacation...

John Held Jr.’s 1932 poster Total Eclipse of the Sun. Plan Now to Witness This Amazing Phenomenon. Travel by Train to Vacation Land turns an astronomical event into a spirited invitation to travel. A map of New England, crossed by the boldly marked path of the eclipse, anchors a lively arrangement of cartoon figures, celestial motifs and emphatic lettering. Deep blue dominates the design, sharpened by bursts of yellow, orange and red, while the promise of seeing “Night-time When It’s Day” gives the spectacle an irresistible theatricality.

Held was among the most recognisable American illustrators of the interwar period, particularly associated with witty images of flappers, collegians and modern social life. Here, his jaunty line and gift for caricature are enlisted for railway promotion rather than social satire. Produced during the Depression, the poster presents train travel as both practical transport and imaginative release: the journey leads not merely to a holiday region, but to the path of a rare natural phenomenon. Astronomy, tourism and popular entertainment meet in a design that makes scientific observation feel almost festive.

A closer look

The poster’s visual centre is the simplified map, its geographic outlines and neatly placed labels set against a strong field of blue. The route of the eclipse cuts across it as a clear graphic trajectory, allowing scientific information to function simultaneously as spectacle and directional device. Rather than using conventional perspective, Held layers map, text and figures across a largely flat surface. The eye moves rapidly between these elements, following the eclipse path as though it were itself a railway itinerary.

In the upper left, a man peers through a telescope amid celestial signs, giving the act of observation a comic immediacy. Across the composition, human reactions become as prominent as the eclipse itself. Dancing figures in period dress occupy the upper right, suggesting that this interruption of daylight is an occasion for collective celebration. At the lower left, another exaggerated character appears with dark glasses and a lantern: practical accessories for an eclipse transformed into the props of a cartoon performance.

The lower-right celestial face extends that humour into the heavens. Carefully drawn features personify the astronomical drama, while curved contours stand out against the poster’s crisp blocks of colour. Held uses very little tonal modelling; instead, black outlines and saturated accents establish hierarchy and movement. The large headline, “TOTAL ECLIPSE OF THE SUN”, commands the top of the sheet, while the longer appeal to “Plan Now” occupies the lower section. Information is therefore staged in descending order, from phenomenon to promise and finally to journey.

Context and significance

Travel posters of this period often sold more than a destination. Railways promoted landscapes, leisure and seasonal events as reasons to make a journey, and this design finds an unusually inventive subject in astronomy. Its map provides enough orientation to make the proposal credible, but Held’s animated figures prevent it from becoming a sober scientific diagram. The eclipse is presented as a public occasion—something to plan for, travel towards and witness in company.

The result is characteristic of Held’s ability to condense an era’s enthusiasms into instantly legible graphic form. Modern transport promises access; popular science supplies wonder; cartoon humour removes any hint of solemnity. Even the phrase “vacation land” remains deliberately expansive, making the celestial event itself the true destination. Few travel posters unite geography and the heavens with such cheerful economy.

Choosing the right size and finish

Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.

If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.

The model in the listing images is holding the 24x36in (60x90cm) version of this art print.

Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.

Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.

Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.

Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.

Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.

This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.

Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.

Choose a framed option for the easiest ready-to-hang gift, or choose an unframed print if the recipient may prefer to select their own frame.

We make orders locally in 24 countries around the world, so gifts can often be produced close to the recipient. This helps them arrive faster, travel more safely, and avoid customs or import duty surprises.

  • We can deliver directly to the recipient
  • Framed pieces arrive ready to hang
  • Unframed prints are carefully packed in a strong protective tube
  • Almost every order is made locally, for faster, safer gifting
  • 90-day returns give the recipient time to decide

If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.

Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.

We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.

Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.

Very large framed orders can take a little longer, as they need extra care in production and delivery.

Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.

If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.

Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.

Your order is covered by our 90-day returns policy and 10-year guarantee.

Read our full delivery and local production guide

Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.

We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.

Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.

Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.

All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.

We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.

If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.

We work with interior designers, hospitality businesses, property professionals, offices and corporate buyers on individual pieces and larger coordinated projects.

This artwork can be adapted for a particular wall, room or project, and our workshop can help coordinate the dimensions, material and framing before production.

  • Exact, oversized and made-to-measure dimensions
  • Custom framing, mounting and alternative materials
  • Coordinated pieces for several rooms or locations
  • Art personalisation, to adjust the colour and style of the piece
  • Art and framing guidance from our workshop
  • Local production for projects around the world

Discuss this piece with our Trade & Projects team

Every restored art print begins with the original artist’s work—never an AI-generated replacement.

Our London studio works from carefully selected source material from museums, libraries, archives and private collections. We restore age-related damage, faded colour and imperfect reproduction while preserving the artist’s composition, brushwork, line, texture and period character.

We do not use generative AI to redraw, reinterpret or invent the artwork. Digital restoration is used only to recover and reproduce the original work as faithfully as possible.

Once restored, the master artwork is prepared for your chosen size and finish. Your piece is then printed and, where selected, framed close to its delivery destination.

Our giclée art prints use acid-free 200gsm archival matte paper and fade-resistant pigment inks for a rich, museum-quality finish. Framed art prints use crystal-clear optical acrylic and arrive ready to hang.

Framed canvas and specialist cotton-rag editions are also available. Learn more about our materials and finishes.

Learn more about The Unique Maps Co.

We’ve been restoring and producing maps and art prints since 1984, and we stand behind every piece.

Every order is covered by our 10-year guarantee and damage-free delivery guarantee. If your piece arrives damaged, we’ll replace or remake it free of charge. If anything else isn’t right, contact our workshop team and we’ll put it right promptly.

See our returns and refund policy for full details.