Bacon’s Military Map of America, issued by Bacon & Co. in 1862 and entered at Stationers’ Hall that August, distills the American Civil War’s sprawling theater into a legible, at-a-glance narrative. At a sweeping scale of approximately 1:8,000,000, it charts the United States with state and territorial boundaries crisply defined and a lucid legend that decodes symbols and colors. The map’s most arresting feature is its tri-chromatic political key: free states rendered in green, the precarious border states in yellow, and the seceded Confederacy in pink. In a single glance, the socio-political fracture of a nation at war is made palpable, transforming geography into a vivid chronicle of allegiance and contested sovereignty.

Military realities are brought forward through deft symbology. Forts are pricked across the landscape with small flag markers, from the bastioned defenses around Washington, D.C., to the redoubts guarding Richmond, Charleston, and Savannah along the Atlantic seaboard. Railroads, the arteries of nineteenth-century warfare, stitch together Baltimore, Philadelphia, Albany, Boston, and Chicago, underscoring the Union’s industrial reach, while lines sweeping south toward Nashville, Atlanta, and Raleigh hint at the logistical ambitions—and vulnerabilities—of both sides. Relief rendered by hachures conveys the Appalachian rampart between the capitals, explaining at a glance why operations from the Shenandoah to East Tennessee were grueling and decisive. The synthesis of forts, rails, and relief turns the map into a primer on strategy as much as a chart of place.

The great water routes of the interior are no less central to Bacon’s composition. The Mississippi corridor emerges as a war-winning axis, with Memphis and New Orleans prominent waypoints and Mobile a guarded Gulf portal. The clustering of forts along coastal approaches foreshadows the sieges and blockades that would define the conflict’s maritime dimension. Charleston’s harbor, Savannah’s approaches, and the lower Mississippi all read as contested chokepoints, while rail spurs radiating from Atlanta and back toward the ports telegraph the South’s reliance on thin but vital lines. By juxtaposing river, rail, and strongpoint, the map anticipates the campaigns that sought to sever the Confederacy and control its lifelines.

Perhaps most revealing is the treatment of the borderlands—the yellow swath that includes Maryland, Kentucky, and Missouri—where cities like Baltimore, Lexington, St. Louis, and Cincinnati mark a volatile hinge between North and South. Here the color scheme becomes historical commentary: this is the crucible where loyalties were tested, where rail junctions and river crossings decided campaigns, and where Nashville’s occupation or Little Rock’s sway could tip momentum. The prominence of Chicago as a Union manufacturing and rail nexus contrasts with San Antonio at the far Confederate frontier, reminding us that the conflict’s geography stretched from Atlantic harbors to Western plains. The map captures not only battlefields but the fragile political geography that shaped them.

Beyond its strategic utility, the map exemplifies mid-nineteenth-century cartographic artistry. Hachure shading articulates mountain systems and coastal contours with tactile clarity, while dense town labeling encourages close reading of communities caught in the war’s path, from Richmond and Raleigh to Philadelphia and Boston. Issued in 1862, at the war’s turbulent midpoint, it reflects contemporary European and American appetite for authoritative intelligence, as suggested by its Stationers’ Hall entry. For the collector, it is a vivid artifact of how the conflict was seen in its own time: a color-coded moral and political landscape, a network of forts and rails, and a nation’s fracture rendered with precision and narrative force.

Places on this map

• Washington D.C.
• Richmond (Virginia)
• New Orleans (Louisiana)
• Nashville (Tennessee)
• Chicago (Illinois)
• St. Louis (Missouri)
• Atlanta (Georgia)
• Baltimore (Maryland)
• Philadelphia (Pennsylvania)
• Mobile (Alabama)
• Charleston (South Carolina)
• Memphis (Tennessee)
• Little Rock (Arkansas)
• San Antonio (Texas)
• Lexington (Kentucky)
• Cincinnati (Ohio)
• Albany (New York)
• Boston (Massachusetts)
• Savannah (Georgia)
• Raleigh (North Carolina)

Notable Features & Landmarks

• Clearly depicted forts and fortifications with flag markers.
• Towns and cities labeled throughout the map.
• Railroads illustrated, indicating important transportation routes.
• Color-coded regions indicating slave and free states.
• Hachure-style relief representation, enhancing the geographic details.
• Legends explaining the map's symbols and color coding.

Historical and design context

• Name of the map: Bacon's Military Map of America.
• Scale: Approximately 1:8,000,000.
• Publication details: Created by Bacon & Co. in 1862; entered at the Stationers' Hall on August 182, 1862.
• Description: A historically informative thematic map of the United States during the Civil War era.
• Color scheme details: Free or non-slaveholding states in green; border slave states in yellow; seceded/Confederate states in pink.
• Historical significance: Illustrates the socio-political division between slave-holding and non-slaveholding states during the American Civil War.

Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.

This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.

This map looks amazing at sizes all the way up to 50in (125cm). If you are looking for a larger map, please get in touch.

The model in the listing images is holding the 24x36in (60x90cm) version of this map.

The fifth listing image shows an example of my map personalisation service.

If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.

Please contact me to check if a certain location, landmark or feature is shown on this map.

This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.

This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.

This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.

For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.

Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.

Choose a framed option for the easiest ready-to-hang gift, or choose an unframed print if the recipient may prefer to select their own frame.

We make orders locally in 23 countries around the world, so gifts can often be produced close to the recipient. This helps them arrive faster, travel more safely, and avoid customs or import duty surprises.

• We can deliver directly to the recipient
• Framed pieces arrive ready to hang
• Unframed prints are carefully packed in a strong protective tube
• Almost every order is made locally, for faster, safer gifting
• 90-day returns give the recipient time to decide

If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.

Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.

We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.

Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.

Very large framed orders can take a little longer, as they need extra care in production and delivery.

Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.

If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.

Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.

Your order is covered by our 90-day returns policy and 10-year guarantee.

Read our full delivery and local production guide

Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.

We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.

Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.

Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.

All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.

We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.

If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.

My maps are extremely high quality reproductions of original maps.

I source original, rare maps from libraries, auction houses and private collections around the world, restore them at my London workshop, and then use specialist giclée inks and printers to create beautiful maps that look even better than the original.

My maps are printed on acid-free archival matte (not glossy) paper that feels very high quality and almost like card. In technical terms the paper weight/thickness is 10mil/200gsm. It's perfect for framing.

I print with Epson ultrachrome giclée UV fade resistant pigment inks - some of the best inks you can find.

I can also make maps on canvas, cotton rag and other exotic materials.

Learn more about The Unique Maps Co.

Map personalisation

If you're looking for the perfect anniversary or housewarming gift, I can personalise your map to make it truly unique. For example, I can add a short message, or highlight an important location, or add your family's coat of arms.

The options are almost infinite. Please see my map personalisation page for some wonderful examples of what's possible.

To order a personalised map, select "personalise your map" before adding it to your basket.

Get in touch if you're looking for more complex customisations and personalisations.

Map ageing

I have been asked hundreds of times over the years by customers if they could buy a map that looks even older.

Well, now you can, by selecting Aged before you add a map to your basket.

All the product photos you see on this page show the map in its Original form. This is what the map looks like today.

If you select Aged, I will age your map by hand, using a special and unique process developed through years of studying old maps, talking to researchers to understand the chemistry of aging paper, and of course... lots of practice!

If you're unsure, stick to the Original colour of the map. If you want something a bit darker and older looking, go for Aged.

See some amazing examples of Aged maps.

If you are not happy with your order for any reason, contact me and I'll get it fixed ASAP, free of charge. Please see my returns and refund policy for more information.

I am very confident you will like your restored map or art print. I have been doing this since 1984. I'm a 5-star Etsy seller. I have sold tens of thousands of maps and art prints and have over 5,000 real 5-star reviews. My work has been featured in interior design magazines, on the BBC, and on the walls of dozens of 5-star hotels.

I use a unique process to restore maps and artwork that is massively time consuming and labour intensive. Hunting down the original maps and illustrations can take months. I use state of the art and eye-wateringly expensive technology to scan and restore them. As a result, I guarantee my maps and art prints are a cut above the rest. I stand by my products and will always make sure you're 100% happy with what you receive.

Almost all of my maps and art prints look amazing at large sizes (200cm, 6.5ft+) and I can frame and deliver them to you as well, via special oversized courier. Contact me to discuss your specific needs.