Rare Old Map of the North Atlantic by Coronelli, 1691: Mercator projection; Baroque cartouche; Antonio Zeno discovery claim
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Valid on all standard maps and fine art prints. You can mix and match any designs.
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Custom and bespoke commissions are excluded.
Contact us if you have any questions
20% off 2 — 33% off 3
Add any two eligible items to your bag to receive 20% off. Add a third and it will be complimentary (equivalent to 33% off when purchasing three).
No code needed — the offer applies automatically at checkout.
Valid on all standard maps and fine art prints. You can mix and match any designs.
If you’d like to ship items to multiple addresses, please contact us before placing your order.
Custom and bespoke commissions are excluded.
Contact us if you have any questions
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Mare Del Nord, Coronelli’s 1691 panorama of the North Atlantic world, is a study in both precision and pageantry. The chart sweeps from the European and African littorals to the shores of North and South America, braiding coasts, capes, and islands into a single navigational stage defined by crisp rhumb lines and a commanding compass rose. Greenland appears as “Groenlandia,” while Iceland retains its humanist sobriquet, “Isola di Thule,” elegantly yoking classical lore to modern reconnaissance. An ornate cartouche frames the title and authorship in high Baroque splendor, while a provocative annotation credits the Venetian Antonio Zeno with the discovery of America—an audacious historiographic gesture that threads imperial pride, scholarly rivalry, and maritime rumor into the very fabric of the sea.
The map bears the unmistakable intellect and bravura of Vincenzo Maria Coronelli, Franciscan friar, cosmographer to the Republic of Venice, and among the most accomplished geographical minds of the seventeenth century. Revered for his monumental globes for Louis XIV and for founding the Accademia degli Argonauti, Coronelli fused empirical data with a theatrical sense of design. Issued at the moment when his Atlante Veneto was reshaping Europe’s understanding of the world, Mare Del Nord distills his method: exacting hydrographic intelligence rendered with lapidary lettering and high-contrast ornament, all organized within a navigational framework consistent with the Mercator tradition that pilots used to plot constant bearings across the oceans.
What most astonishes here is the density and authority of coastal knowledge. Along the American shorelines, more than one hundred place-names mark bays, promontories, river mouths, and anchorages, from the fisheries of the north to the Caribbean archipelago and onward along the South American seaboard. Rivers lace the margins, translating continental interiors into maritime intelligence by tracing estuaries and passages that mattered to pilots, merchants, and privateers. Across the open Atlantic, a net of navigational lines suggests customary routes and bearings, implicitly narrating cycles of trade, diplomacy, and warfare that bound Europe, Africa, and the Americas into an increasingly integrated—if contested—oceanic system.
Coronelli’s marginal note elevating the claims of Antonio Zeno is more than antiquarian flourish; it is a window into late seventeenth-century debates over priority and provenance in the discovery of the New World. By championing a Venetian lineage for Atlantic exploration, the map participates in a vibrant discourse that pitted classical geographies and medieval narratives against emergent national myths surrounding Columbus, Cabot, and the Norse. The presence of “Groenlandia” and “Isola di Thule” further entwines classical memory with modern reconnaissance, while the meticulous catalog of American toponyms signals a decisive shift from speculative cosmography to an archive of usable, verifiable coastal knowledge.
Stylistically, Mare Del Nord is a consummate performance of Coronelli’s baroque idiom. The cartouche blooms with sculptural vigor—strapwork, scrolls, and maritime emblems—balancing the rigorous geometry of rhumb lines and the starburst elegance of the compass rose. The hierarchy of lettering, the disciplined spacing of toponyms, and the clean articulation of coastlines testify to a cartographer who prized legibility as a moral as much as a practical virtue. Set on a rhumb-lined grid that enabled constant-course sailing, the composition unites science and spectacle, yielding a chart that is both a working instrument of navigation and a statement piece for a learned audience at a moment when Europe’s geopolitical horizon was rapidly, and irrevocably, expanding.
Countries and regions on this map
- North America
- South America
- Europe
- Africa
- Atlantic Ocean
- Caribbean Islands
- Greenland (referred to as "Groenlandia")
- Iceland (referred to as "Isola di Thule")
Notable Features & Landmarks
- Cartouche: A decorative element presenting the title and creator, featuring artistic embellishments.
- Place Names: More than 100 coastal locations labeled along the American shorelines.
- Coastal Rivers: Depicted rivers along the coastlines, enhancing geographical insight.
- Annotated Discovery Claims: Notes referencing the discoveries attributed to Antonio Zeno.
- Compass Rose: Typical navigational feature, indicating directionality.
- Navigational Lines: Lines showing navigational routes across the Atlantic.
Historical and design context
- Mapmaker: Vincenzo Maria Coronelli.
- Creation Year: 1691.
- Cartographic Significance: Coronelli was a prominent mapmaker of the late 17th century, known for his detailed and artistic maps.
- Themes: Focuses on the Atlantic Ocean and the coastlines of America, Europe, and Africa, highlighting geographical features, place names, and notable historical claims.
- Interesting Context: Credits Antonio Zeno with the discovery of America, reflecting the historical discourse on exploration and discovery during the late 1600s.
- Design Style: Features a highly ornate cartouche, indicative of Coronelli’s style and the elaborate baroque influences of the period.
- Historical Context: Publication aligns with growing European interest in the Americas, marking a transition in geopolitical awareness.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 100in (250cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 18x24in (45x60cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
For most orders, delivery time is about 3 working days. Personalised and customised products take longer, as I have to do the personalisation and send it to you for approval, which usually takes 1 or 2 days.
Please note that very large framed orders usually take longer to make and deliver.
If you need your order to arrive by a certain date, please contact me before you order so that we can find the best way of making sure you get your order in time.
I print and frame maps and artwork in 23 countries around the world. This means your order will be made locally, which cuts down on delivery time and ensures that it won't be damaged during delivery. You'll never pay customs or import duty, and we'll put less CO2 into the air.
All of my maps and art prints are well packaged and sent in a rugged tube if unframed, or surrounded by foam if framed.
I try to send out all orders within 1 or 2 days of receiving your order, though some products (like face masks, mugs and tote bags) can take longer to make.
If you select Express Delivery at checkout your order we will prioritise your order and send it out by 1-day courier (Fedex, DHL, UPS, Parcelforce).
Next Day delivery is also available in some countries (US, UK, Singapore, UAE) but please try to order early in the day so that we can get it sent out on time.
My standard frame is a gallery style black ash hardwood frame. It is simple and quite modern looking. My standard frame is around 20mm (0.8in) wide.
I use super-clear acrylic (perspex/acrylite) for the frame glass. It's lighter and safer than glass - and it looks better, as the reflectivity is lower.
Six standard frame colours are available for free (black, dark brown, dark grey, oak, white and antique gold). Custom framing and mounting/matting is available if you're looking for something else.
Most maps, art and illustrations are also available as a framed canvas. We use matte (not shiny) cotton canvas, stretch it over a sustainably sourced box wood frame, and then 'float' the piece within a wood frame. The end result is quite beautiful, and there's no glazing to get in the way.
All frames are provided "ready to hang", with either a string or brackets on the back. Very large frames will have heavy duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
See some examples of my framed maps and framed canvas maps.
Alternatively, I can also supply old maps and artwork on canvas, foam board, cotton rag and other materials.
If you want to frame your map or artwork yourself, please read my size guide first.
My maps are extremely high quality reproductions of original maps.
I source original, rare maps from libraries, auction houses and private collections around the world, restore them at my London workshop, and then use specialist giclée inks and printers to create beautiful maps that look even better than the original.
My maps are printed on acid-free archival matte (not glossy) paper that feels very high quality and almost like card. In technical terms the paper weight/thickness is 10mil/200gsm. It's perfect for framing.
I print with Epson ultrachrome giclée UV fade resistant pigment inks - some of the best inks you can find.
I can also make maps on canvas, cotton rag and other exotic materials.
Learn more about The Unique Maps Co.
Map personalisation
If you're looking for the perfect anniversary or housewarming gift, I can personalise your map to make it truly unique. For example, I can add a short message, or highlight an important location, or add your family's coat of arms.
The options are almost infinite. Please see my map personalisation page for some wonderful examples of what's possible.
To order a personalised map, select "personalise your map" before adding it to your basket.
Get in touch if you're looking for more complex customisations and personalisations.
Map ageing
I have been asked hundreds of times over the years by customers if they could buy a map that looks even older.
Well, now you can, by selecting Aged before you add a map to your basket.
All the product photos you see on this page show the map in its Original form. This is what the map looks like today.
If you select Aged, I will age your map by hand, using a special and unique process developed through years of studying old maps, talking to researchers to understand the chemistry of aging paper, and of course... lots of practice!
If you're unsure, stick to the Original colour of the map. If you want something a bit darker and older looking, go for Aged.
If you are not happy with your order for any reason, contact me and I'll get it fixed ASAP, free of charge. Please see my returns and refund policy for more information.
I am very confident you will like your restored map or art print. I have been doing this since 1984. I'm a 5-star Etsy seller. I have sold tens of thousands of maps and art prints and have over 5,000 real 5-star reviews. My work has been featured in interior design magazines, on the BBC, and on the walls of dozens of 5-star hotels.
I use a unique process to restore maps and artwork that is massively time consuming and labour intensive. Hunting down the original maps and illustrations can take months. I use state of the art and eye-wateringly expensive technology to scan and restore them. As a result, I guarantee my maps and art prints are a cut above the rest. I stand by my products and will always make sure you're 100% happy with what you receive.
Almost all of my maps and art prints look amazing at large sizes (200cm, 6.5ft+) and I can frame and deliver them to you as well, via special oversized courier. Contact me to discuss your specific needs.
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Mare Del Nord, Coronelli’s 1691 panorama of the North Atlantic world, is a study in both precision and pageantry. The chart sweeps from the European and African littorals to the shores of North and South America, braiding coasts, capes, and islands into a single navigational stage defined by crisp rhumb lines and a commanding compass rose. Greenland appears as “Groenlandia,” while Iceland retains its humanist sobriquet, “Isola di Thule,” elegantly yoking classical lore to modern reconnaissance. An ornate cartouche frames the title and authorship in high Baroque splendor, while a provocative annotation credits the Venetian Antonio Zeno with the discovery of America—an audacious historiographic gesture that threads imperial pride, scholarly rivalry, and maritime rumor into the very fabric of the sea.
The map bears the unmistakable intellect and bravura of Vincenzo Maria Coronelli, Franciscan friar, cosmographer to the Republic of Venice, and among the most accomplished geographical minds of the seventeenth century. Revered for his monumental globes for Louis XIV and for founding the Accademia degli Argonauti, Coronelli fused empirical data with a theatrical sense of design. Issued at the moment when his Atlante Veneto was reshaping Europe’s understanding of the world, Mare Del Nord distills his method: exacting hydrographic intelligence rendered with lapidary lettering and high-contrast ornament, all organized within a navigational framework consistent with the Mercator tradition that pilots used to plot constant bearings across the oceans.
What most astonishes here is the density and authority of coastal knowledge. Along the American shorelines, more than one hundred place-names mark bays, promontories, river mouths, and anchorages, from the fisheries of the north to the Caribbean archipelago and onward along the South American seaboard. Rivers lace the margins, translating continental interiors into maritime intelligence by tracing estuaries and passages that mattered to pilots, merchants, and privateers. Across the open Atlantic, a net of navigational lines suggests customary routes and bearings, implicitly narrating cycles of trade, diplomacy, and warfare that bound Europe, Africa, and the Americas into an increasingly integrated—if contested—oceanic system.
Coronelli’s marginal note elevating the claims of Antonio Zeno is more than antiquarian flourish; it is a window into late seventeenth-century debates over priority and provenance in the discovery of the New World. By championing a Venetian lineage for Atlantic exploration, the map participates in a vibrant discourse that pitted classical geographies and medieval narratives against emergent national myths surrounding Columbus, Cabot, and the Norse. The presence of “Groenlandia” and “Isola di Thule” further entwines classical memory with modern reconnaissance, while the meticulous catalog of American toponyms signals a decisive shift from speculative cosmography to an archive of usable, verifiable coastal knowledge.
Stylistically, Mare Del Nord is a consummate performance of Coronelli’s baroque idiom. The cartouche blooms with sculptural vigor—strapwork, scrolls, and maritime emblems—balancing the rigorous geometry of rhumb lines and the starburst elegance of the compass rose. The hierarchy of lettering, the disciplined spacing of toponyms, and the clean articulation of coastlines testify to a cartographer who prized legibility as a moral as much as a practical virtue. Set on a rhumb-lined grid that enabled constant-course sailing, the composition unites science and spectacle, yielding a chart that is both a working instrument of navigation and a statement piece for a learned audience at a moment when Europe’s geopolitical horizon was rapidly, and irrevocably, expanding.
Countries and regions on this map
- North America
- South America
- Europe
- Africa
- Atlantic Ocean
- Caribbean Islands
- Greenland (referred to as "Groenlandia")
- Iceland (referred to as "Isola di Thule")
Notable Features & Landmarks
- Cartouche: A decorative element presenting the title and creator, featuring artistic embellishments.
- Place Names: More than 100 coastal locations labeled along the American shorelines.
- Coastal Rivers: Depicted rivers along the coastlines, enhancing geographical insight.
- Annotated Discovery Claims: Notes referencing the discoveries attributed to Antonio Zeno.
- Compass Rose: Typical navigational feature, indicating directionality.
- Navigational Lines: Lines showing navigational routes across the Atlantic.
Historical and design context
- Mapmaker: Vincenzo Maria Coronelli.
- Creation Year: 1691.
- Cartographic Significance: Coronelli was a prominent mapmaker of the late 17th century, known for his detailed and artistic maps.
- Themes: Focuses on the Atlantic Ocean and the coastlines of America, Europe, and Africa, highlighting geographical features, place names, and notable historical claims.
- Interesting Context: Credits Antonio Zeno with the discovery of America, reflecting the historical discourse on exploration and discovery during the late 1600s.
- Design Style: Features a highly ornate cartouche, indicative of Coronelli’s style and the elaborate baroque influences of the period.
- Historical Context: Publication aligns with growing European interest in the Americas, marking a transition in geopolitical awareness.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 100in (250cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 18x24in (45x60cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.

