French Pyrenees Travel Poster: Route des Pyrénées by Louis Tauzin, 1900
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The artwork we print is faithfully restored from the original source - usually a museum, auction house or private collection.
We never replace, redraw or invent the artist’s work using generative AI.
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Returns: Standard orders can be returned or exchanged within 90 days of delivery. Personalised and custom-made pieces are generally excluded from change-of-mind returns. See our returns policy.
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The Collector’s Offer applies to eligible works in standard made-to-order configurations. Bespoke sizes, personalised designs and commissioned work are excluded. Products with “personalised” or “custom” in their name are generally excluded.
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If you want to add a gift message, or a finish (jigsaw, aluminium board, etc.) that is not available here, please request it in the "order note" when you check out.
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Send it straight to them
Add a gift message in your bag, then enter the recipient’s delivery address at checkout. We’ll print your message on a card. No prices are included in the parcel.
Delivery timing
Standard delivery is free worldwide and usually takes around 3 working days. Sending a gift abroad? We make most orders locally, in the recipient’s country.
Allow extra time for design and proof approval on personalised orders. See delivery details.
Returns: Standard orders can be returned or exchanged within 90 days of delivery. Personalised and custom-made pieces are generally excluded from change-of-mind returns. See our returns policy.
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Louis Tauzin’s Route des Pyrènèes, created around 1900, presents travel through the French Pyrenees as an adventure in its own right. An...
Continue readingLouis Tauzin’s Route des Pyrènèes, created around 1900, presents travel through the French Pyrenees as an adventure in its own right. An open early automobile, crowded with passengers, occupies the foreground beside a densely wooded road; beyond it, the terrain opens into a broad valley of river, hills and sunlit peaks. Tauzin builds the scene around movement: the road curves away from the vehicle, the water winds through the landscape, and successive mountain ridges carry the eye towards the pale distance.
The poster belongs to the Belle Époque expansion of leisure travel, when railways and new forms of road transport made dramatic landscapes increasingly accessible to visitors. Its prominent heading, “CHEMINS DE FER DU MIDI”, links the mountain journey to the railway serving southern France, while the lower inscription advertises a “GRAND SERVICE D’AUTO-CARS”. The combination is revealing: rather than presenting the railway terminus as the end of the journey, the design promotes onward travel by motor vehicle, turning the route itself into a modern tourist attraction. Tauzin, a French artist and illustrator known for decorative graphic work, gives this promise of mobility an expansive and carefully staged setting.
A closer look
The automobile is placed left of centre, close enough for the passengers’ faces, clothing and gestures to register against the surrounding greenery. Their animated presence lends the scene a social quality: this is not solitary contemplation of the mountains, but a shared excursion. Subtle highlights across the vehicle suggest a polished surface catching the light, while the varied greens of the roadside trees create a leafy frame around the group.
From this busy foreground, the composition rapidly broadens. The road’s curve directs attention into the valley, where a river runs along the right-hand side, reflecting subdued colours from the land around it. The terrain is arranged in distinct layers: dark foliage and earth nearby, softer green and brown hills in the middle distance, then lofty summits touched with orange, pink and white. These warm peaks stand against a cooler blue sky, producing a strong contrast between the sheltered valley and the illuminated heights.
Typography anchors the landscape at both ends. The railway name crowns the composition, while the substantial lettering below establishes the destination and service with emphatic clarity. Between these two bands of information, the illustration functions almost like a window onto the journey being promised. The vertical format is particularly effective, accommodating both the immediate drama of the motor car and the upward sweep of the mountainous horizon without compressing either.
Context and significance
Travel posters of this period had to communicate practical information while creating an imaginative identity for a destination. Here, the Pyrenees are presented not simply as remote wilderness but as scenery newly opened to organised leisure. The automobile supplies the note of modernity; the steep slopes, river and snow-brightened peaks provide the sense of escape. Tauzin’s broad areas of colour, clear silhouettes and layered perspective make the landscape immediately legible, even as small details reward a closer view.
What distinguishes Route des Pyrènèes is this balance between technological confidence and romantic geography. The passengers are carried forward by a modern service, yet the mountains remain vast enough to dominate the encounter. The result is both advertisement and landscape fantasy: a vision of the Pyrenees in which the pleasures of scenery, sociability and motion become inseparable.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Louis Tauzin’s Route des Pyrènèes, created around 1900, presents travel through the French Pyrenees as an adventure in its own right. An open early automobile, crowded with passengers, occupies the foreground beside a densely wooded road; beyond it, the terrain opens into a broad valley of river, hills and sunlit peaks. Tauzin builds the scene around movement: the road curves away from the vehicle, the water winds through the landscape, and successive mountain ridges carry the eye towards the pale distance.
The poster belongs to the Belle Époque expansion of leisure travel, when railways and new forms of road transport made dramatic landscapes increasingly accessible to visitors. Its prominent heading, “CHEMINS DE FER DU MIDI”, links the mountain journey to the railway serving southern France, while the lower inscription advertises a “GRAND SERVICE D’AUTO-CARS”. The combination is revealing: rather than presenting the railway terminus as the end of the journey, the design promotes onward travel by motor vehicle, turning the route itself into a modern tourist attraction. Tauzin, a French artist and illustrator known for decorative graphic work, gives this promise of mobility an expansive and carefully staged setting.
A closer look
The automobile is placed left of centre, close enough for the passengers’ faces, clothing and gestures to register against the surrounding greenery. Their animated presence lends the scene a social quality: this is not solitary contemplation of the mountains, but a shared excursion. Subtle highlights across the vehicle suggest a polished surface catching the light, while the varied greens of the roadside trees create a leafy frame around the group.
From this busy foreground, the composition rapidly broadens. The road’s curve directs attention into the valley, where a river runs along the right-hand side, reflecting subdued colours from the land around it. The terrain is arranged in distinct layers: dark foliage and earth nearby, softer green and brown hills in the middle distance, then lofty summits touched with orange, pink and white. These warm peaks stand against a cooler blue sky, producing a strong contrast between the sheltered valley and the illuminated heights.
Typography anchors the landscape at both ends. The railway name crowns the composition, while the substantial lettering below establishes the destination and service with emphatic clarity. Between these two bands of information, the illustration functions almost like a window onto the journey being promised. The vertical format is particularly effective, accommodating both the immediate drama of the motor car and the upward sweep of the mountainous horizon without compressing either.
Context and significance
Travel posters of this period had to communicate practical information while creating an imaginative identity for a destination. Here, the Pyrenees are presented not simply as remote wilderness but as scenery newly opened to organised leisure. The automobile supplies the note of modernity; the steep slopes, river and snow-brightened peaks provide the sense of escape. Tauzin’s broad areas of colour, clear silhouettes and layered perspective make the landscape immediately legible, even as small details reward a closer view.
What distinguishes Route des Pyrènèes is this balance between technological confidence and romantic geography. The passengers are carried forward by a modern service, yet the mountains remain vast enough to dominate the encounter. The result is both advertisement and landscape fantasy: a vision of the Pyrenees in which the pleasures of scenery, sociability and motion become inseparable.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.
Choose a framed option for the easiest ready-to-hang gift, or choose an unframed print if the recipient may prefer to select their own frame.
We make orders locally in 24 countries around the world, so gifts can often be produced close to the recipient. This helps them arrive faster, travel more safely, and avoid customs or import duty surprises.
- We can deliver directly to the recipient
- Framed pieces arrive ready to hang
- Unframed prints are carefully packed in a strong protective tube
- Almost every order is made locally, for faster, safer gifting
- 90-day returns give the recipient time to decide
If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
We work with interior designers, hospitality businesses, property professionals, offices and corporate buyers on individual pieces and larger coordinated projects.
This artwork can be adapted for a particular wall, room or project, and our workshop can help coordinate the dimensions, material and framing before production.
- Exact, oversized and made-to-measure dimensions
- Custom framing, mounting and alternative materials
- Coordinated pieces for several rooms or locations
- Art personalisation, to adjust the colour and style of the piece
- Art and framing guidance from our workshop
- Local production for projects around the world
Every restored art print begins with the original artist’s work—never an AI-generated replacement.
Our London studio works from carefully selected source material from museums, libraries, archives and private collections. We restore age-related damage, faded colour and imperfect reproduction while preserving the artist’s composition, brushwork, line, texture and period character.
We do not use generative AI to redraw, reinterpret or invent the artwork. Digital restoration is used only to recover and reproduce the original work as faithfully as possible.
Once restored, the master artwork is prepared for your chosen size and finish. Your piece is then printed and, where selected, framed close to its delivery destination.
Our giclée art prints use acid-free 200gsm archival matte paper and fade-resistant pigment inks for a rich, museum-quality finish. Framed art prints use crystal-clear optical acrylic and arrive ready to hang.
Framed canvas and specialist cotton-rag editions are also available. Learn more about our materials and finishes.
We’ve been restoring and producing maps and art prints since 1984, and we stand behind every piece.
Every order is covered by our 10-year guarantee and damage-free delivery guarantee. If your piece arrives damaged, we’ll replace or remake it free of charge. If anything else isn’t right, contact our workshop team and we’ll put it right promptly.
See our returns and refund policy for full details.
