Colorado small state map by Jacques Liozu, created in 1946, captures the Centennial State in a lively bird’s-eye panorama where geography and storytelling dance together. Liozu’s whimsical vignettes—miners at work, ranchers on the range, farmers furrowing neat fields—thread across the Rockies and plains, transforming the state’s topography into a stage for its industries, pastimes, and lore. Bears and elk roam the margins of forests and alpine bowls, while stylized rivers stitch together valleys and towns. The title’s modesty belies the cartographic bravura within: a small-format composition brimming with mid-century character, where color, icon, and caption collaborate to reveal Colorado’s identity at a glance. It is a spirited portrait of postwar optimism, attuned to the state’s resources and recreation, and animated by the artist’s gift for turning facts into narrative.

Liozu’s design language is instantly recognizable: a buoyant palette that separates mountains from high plains, foothills from river bottoms, all unified by a crisp yet playful line. A flourished compass rose anchors the eye, while decorative borders echo Western motifs and help frame the map’s storytelling energy. Cities and towns are flagged with personable iconography—church spires, smokestacks, gondolas, and grain elevators—so the viewer reads the landscape through livelihoods as much as latitude. The illustrations maintain a delicate balance between clarity and charm, guiding the gaze along ridgelines and watersheds without sacrificing delight. Each vignette is a miniature scene, an invitation to linger, turning a geographic reference into an unfolding journey across color and symbol.

The state’s physical drama is rendered with theatrical confidence: snow-bright summits along the Front Range stepping west to deeper massifs, and broad river valleys curling through ranchland and orchard. Sinuous blue courses mark lifelines like the Arkansas and Colorado Rivers, while headwater country suggests the genesis of great Western waters. In the south, the sweep toward Alamosa hints at the spacious San Luis Valley, its agricultural grids contrasting with encircling peaks. Wildlife appears where terrain dictates—elk along montane parks, bears tucked near forested slopes—creating a naturalist’s thread within the economic story. Mountains, passes, and canyons are simplified yet evocative, their silhouettes and shading reading instantly from a distance, a testament to Liozu’s ability to compress vast relief into an elegant, legible pictorial code.

Urban and rural Colorado share the stage through characterful emblems that dignify each place’s role in the statewide mosaic. Denver, poised as a bustling hub on the plains’ rim, signals commerce and governance; Colorado Springs showcases leisure and scenery at the mountains’ foot. Pueblo’s steel and Arkansas Valley agriculture form a muscular industrial-agricultural tandem, while Boulder’s collegiate and scientific verve is wittily suggested. To the south, Trinidad stands as a gateway town with trail-borne heritage; to the west, Gunnison’s mountain ranchlands and river corridors signal frontier endurance. La Junta’s rail-and-farm identity, Alamosa’s high-valley agriculture, and Steamboat Springs’ recreational allure round out the ensemble. Each symbol is a shorthand biography, ensuring the map reads as a human landscape—a constellation of livelihoods stitched to terrain.

Liozu, celebrated for his pictorial surveys of French regions, brings that same lyrical sensibility to Colorado, reshaping American space through a European-inflected lens of charm and clarity. In 1946, as visual culture embraced bold color and approachable storytelling, his work harmonized with mid-century currents that blurred the line between cartography, poster art, and travel ephemera. The result is both document and performance: a map that informs, persuades, and delights in equal measure. Playful iconography amplifies cultural memory—mining camps, ranch gates, festival scenes—while color fields stabilize geographic truth. This synthesis of precision and poetry makes the piece a rare interpreter of place, a vivid time capsule of postwar identity, and an enduring exemplar of pictorial cartography’s golden moment.

Cities and towns on this map

• Denver — (Modern population: ~715,000)
• Colorado Springs — (Modern population: ~482,000)
• Pueblo — (Modern population: ~111,000)
• Boulder — (Modern population: ~108,000)
• Trinidad — (Modern population: ~9,100)
• Gunnison — (Modern population: ~6,500)
• La Junta — (Modern population: ~6,200)
• Alamosa — (Modern population: ~10,000)
• Steamboat Springs — (Modern population: ~13,000)

Notable Features & Landmarks

• Illustrations of local wildlife, including bears and elk.
• Vignettes depicting cultural activities, like mining and agriculture.
• Iconography representing cities and towns.
• A stylized compass rose.
• Drawings of significant landmarks (e.g., mountains and rivers).
• Artistic depictions of historical events or practices.
• Borders highlighted with decorative elements.
• Use of color to differentiate geographical features.

Historical and design context

• Creation Date: 1946
• Mapmaker: Jacques Liozu
• Interesting Context about the Mapmaker: Known for charming visual storytelling; created similar maps of French regions with playful iconography.
• Topics and Themes: Agriculture, local industries, recreational activities, and cultural landmarks highlighted through illustrations.
• Design/Style of the Map: Blends cartography with playful, colorful illustration; whimsical bird’s-eye interpretation of geography.
• Historical Significance: Reflects mid-20th-century American artistic trends, blending artistic expression with geographic representation.

Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.

This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.

This map looks amazing at sizes all the way up to 50in (125cm). If you are looking for a larger map, please get in touch.

The model in the listing images is holding the 24x36in (60x90cm) version of this map.

The fifth listing image shows an example of my map personalisation service.

If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.

Please contact me to check if a certain location, landmark or feature is shown on this map.

This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.

This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.

This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.

For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.

For most orders, delivery time is about 3 working days. Personalised and customised products take longer, as I have to do the personalisation and send it to you for approval, which usually takes 1 or 2 days.

Please note that very large framed orders usually take longer to make and deliver. 

If you need your order to arrive by a certain date, please contact me before you order so that we can find the best way of making sure you get your order in time.

I print and frame maps and artwork in 23 countries around the world. This means your order will be made locally, which cuts down on delivery time and ensures that it won't be damaged during delivery. You'll never pay customs or import duty, and we'll put less CO2 into the air.

All of my maps and art prints are well packaged and sent in a rugged tube if unframed, or surrounded by foam if framed.

I try to send out all orders within 1 or 2 days of receiving your order, though some products (like face masks, mugs and tote bags) can take longer to make.

If you select Express Delivery at checkout your order we will prioritise your order and send it out by 1-day courier (Fedex, DHL, UPS, Parcelforce).

Next Day delivery is also available in some countries (US, UK, Singapore, UAE) but please try to order early in the day so that we can get it sent out on time.

Read my full delivery and local production guide

My standard frame is a gallery style black ash hardwood frame. It is simple and quite modern looking. My standard frame is around 20mm (0.8in) wide.

I use super-clear acrylic (perspex/acrylite) for the frame glass. It's lighter and safer than glass - and it looks better, as the reflectivity is lower.

Six standard frame colours are available for free (black, dark brown, dark grey, oak, white and antique gold). Custom framing and mounting/matting is available if you're looking for something else.

Most maps, art and illustrations are also available as a framed canvas. We use matte (not shiny) cotton canvas, stretch it over a sustainably sourced box wood frame, and then 'float' the piece within a wood frame. The end result is quite beautiful, and there's no glazing to get in the way.

All frames are provided "ready to hang", with either a string or brackets on the back. Very large frames will have heavy duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.

See some examples of my framed maps and framed canvas maps.

Alternatively, I can also supply old maps and artwork on canvas, foam board, cotton rag and other materials.

If you want to frame your map or artwork yourself, please read my size guide first.

My maps are extremely high quality reproductions of original maps.

I source original, rare maps from libraries, auction houses and private collections around the world, restore them at my London workshop, and then use specialist giclée inks and printers to create beautiful maps that look even better than the original.

My maps are printed on acid-free archival matte (not glossy) paper that feels very high quality and almost like card. In technical terms the paper weight/thickness is 10mil/200gsm. It's perfect for framing.

I print with Epson ultrachrome giclée UV fade resistant pigment inks - some of the best inks you can find.

I can also make maps on canvas, cotton rag and other exotic materials.

Learn more about The Unique Maps Co.

Map personalisation

If you're looking for the perfect anniversary or housewarming gift, I can personalise your map to make it truly unique. For example, I can add a short message, or highlight an important location, or add your family's coat of arms.

The options are almost infinite. Please see my map personalisation page for some wonderful examples of what's possible.

To order a personalised map, select "personalise your map" before adding it to your basket.

Get in touch if you're looking for more complex customisations and personalisations.

Map ageing

I have been asked hundreds of times over the years by customers if they could buy a map that looks even older.

Well, now you can, by selecting Aged before you add a map to your basket.

All the product photos you see on this page show the map in its Original form. This is what the map looks like today.

If you select Aged, I will age your map by hand, using a special and unique process developed through years of studying old maps, talking to researchers to understand the chemistry of aging paper, and of course... lots of practice!

If you're unsure, stick to the Original colour of the map. If you want something a bit darker and older looking, go for Aged.

See some amazing examples of Aged maps.

Se non sei soddisfatto del tuo ordine per qualsiasi motivo, contattami per un rimborso senza problemi. Si prega di consultare la nostra politica di reso e rimborso per ulteriori informazioni.

Sono molto sicuro che ti piacerà la tua mappa restaurata o la stampa d'arte. Lo faccio dal 1984. Sono un venditore Etsy a 5 stelle. Ho venduto decine di migliaia di mappe e stampe d'arte e ho oltre 5.000 recensioni reali a 5 stelle.

Utilizzo un processo unico per restaurare mappe e opere d'arte che richiede molto tempo e lavoro. Trovare le mappe e le illustrazioni originali può richiedere mesi. Utilizzo tecnologia all'avanguardia e incredibilmente costosa per scannerizzare e restaurarle. Di conseguenza, garantisco che le mie mappe e stampe d'arte siano superiori alle altre - ecco perché posso offrire un rimborso senza problemi.

Quasi tutte le mie mappe e stampe d'arte sembrano fantastiche a grandi dimensioni (200 cm, 6,5 piedi+) e posso anche incorniciarle e consegnarle a te, tramite un corriere speciale per oggetti di grandi dimensioni. Contattami per discutere delle tue esigenze specifiche.