Rare Old Map of Australia, New Zealand and Polynesia by Walch, 1830: Cook & Tasman routes; equirectangular; oval cartouche
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20% di sconto su 2 — 33% di sconto su 3
Aggiungi qualsiasi due articoli idonei al tuo carrello per ricevere 20% di sconto. Aggiungi un terzo e sarà gratuito (equivalente a 33% di sconto quando acquisti tre).
Nessun codice necessario — l'offerta si applica automaticamente al checkout.
Valido su tutte le mappe standard e le stampe d'arte fine. Puoi mescolare e abbinare qualsiasi design.
Se desideri spedire articoli a più indirizzi, ti preghiamo di contattarci prima di effettuare il tuo ordine.
Le commissioni personalizzate e su misura sono escluse.
Contattaci se hai domande
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Australien (Sudland) auch Polynesien oder Inselwelt, insgemein der funfte Welltheil is Johann Walch’s 1830 meditation on the newly illuminated South Pacific, rendered at a moment when Cook’s legacies and earlier Dutch soundings had redrawn Europe’s mental map. Working within the vigorous German cartographic tradition, Walch assembles Australia, New Zealand, and the island constellations of Polynesia into a single, intelligible theater of exploration. The title’s invocation of the “fifth part of the world” situates Oceania alongside the classical continents, signaling the region’s arrival in scholarly geography. An elegant oval cartouche anchors the composition, while restrained, earth-toned washes set off coastlines and islands with scholarly poise, inviting the viewer to trace the Pacific’s story through names, routes, and carefully placed historical notes.
Walch’s design marries clarity and ornament with late-Enlightenment discipline. A decorative border frames a precise graticule laid out on a straightforward cylindrical, equirectangular projection that privileges legibility across immense oceanic spans. German-language labels, crisply engraved, deliver a learned cadence to place names that alternate between indigenous forms and European coinages. In the lower right, a neatly tabulated scale underscores the map’s practical aspirations, while the oval cartouche in the upper right counterbalances the open sweep of the Pacific. The subdued palette—ochres, soft greens, and diluted blues—keeps the geography paramount, accentuating capes, bays, and archipelagos without theatrical excess.
At the heart of the sheet run the tracks of discovery. Fine lines register the voyages of Captain Cook, Abel Tasman, and their successors as they crisscross the Pacific, their courses annotated with dates and terse remarks that turn the ocean into a ledger of inquiry. Australia appears as Neu Holland, with Van Diemen’s Land distinct—its separation by Bass Strait now firmly recognized—while New Zealand takes its modern, bifurcated form. Threads of route lines bend toward Tahitian and Polynesian waypoints, reaching as far as the remote note of Pitcairn. The viewer witnesses not merely landfall after landfall, but the gradual knitting together of coastlines—bays sharpened, promontories corrected—across successive expeditions.
Scope is one of the map’s quiet triumphs. Walch frames the Pacific world against its Asian margins—Sumatra, Borneo, Japan, and Korea—underscoring the maritime corridors that connected Oceania to global trade and scientific exchange. The juxtaposition of indigenous toponyms with European appellations captures a transitional lexicon: a record of encounter, adoption, and sometimes overwriting. Annotations punctuate key theaters—around Australia’s northern shores, along New Zealand’s coasts—where soundings, landfalls, or diplomatic first contacts altered charts and expectations. The sea itself becomes the subject: not a void, but a network of traversed lines, a stage on which longitude, latitude, and human purpose converged to transform conjecture into mapped certainty.
Johann Walch, heir to Augsburg’s accomplished school of mapmaking, excels here as synthesist. Drawing upon decades of journals and Admiralty charts, he distills a turbulent century of Pacific exploration into a coherent, elegant narrative. For contemporary Europeans, such a sheet helped reset the horizon—turning “Sudland” from rumor into region, and Polynesia from scattered myths into a comprehensible island world. The disciplined engraving, the scholar’s German rubric, and the measured routes together offer both a précis of discovery and a study in cartographic restraint. It is a work that rewards lingering: a document of how the fifth part of the world was charted, argued over, and finally understood.
Countries and regions on this map
- Australia (designated as "Neu Holland")
- New Zealand (represented as two islands)
- Polynesia (various islands shown)
- Sumatra
- Japan
- Korea
- South Pacific islands, including Pitcairn Island and others
- Borneo
- Tasmania (cited as Van Diemen’s Land in historical context)
Notable Features & Landmarks
- Tracks of explorers: lines indicating the routes taken by explorers such as Captain Cook, Tasman, and others.
- Place names: numerous names in Australia, New Zealand, and various Pacific islands, some based on native names.
- Geographical features: outlines of coastlines, islands, and bays, particularly those around Australia and New Zealand.
- Sea routes: indicators of maritime navigation routes and noted voyages, which include historical contexts.
- Annotations: historical notes detailing significant events or explorers related to the areas mapped.
- Cartouche: a simple oval cartouche that enhances the aesthetic appeal of the map.
Historical and design context
- Name of the map: Australien (Sudland) auch Polynesien oder Inselwelt, insgemein der funfte Welltheil.
- Mapmaker: Johann Walch.
- Date of creation: 1830.
- Design and style: oval cartouche in the upper right; scale in the lower right; decorative border; labels in German; muted earth tones highlighting cartographical elements without detracting from geographic accuracy.
- Topics and themes: exploration of Australasia and the South Pacific; routes of European explorers; highlights voyages by Captain Cook, Abel Tasman, and others; reflects European curiosity and expanding presence in the Pacific during the age of exploration.
- Historical significance: produced during heightened interest in the Pacific following Cook’s voyages; helped shape European perceptions of Australia and surrounding islands.
- Mapmaker context: Walch was part of a German cartographic tradition producing detailed maps for an expanding audience interested in the Pacific; his works contributed to knowledge about newly explored regions.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 100in (250cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 16x20in (40x50cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.
Choose a framed option for the easiest ready-to-hang gift, or choose an unframed print if the recipient may prefer to select their own frame.
We make orders locally in 23 countries around the world, so gifts can often be produced close to the recipient. This helps them arrive faster, travel more safely, and avoid customs or import duty surprises.
- We can deliver directly to the recipient
- Framed pieces arrive ready to hang
- Unframed prints are carefully packed in a strong protective tube
- Almost every order is made locally, for faster, safer gifting
- 90-day returns give the recipient time to decide
If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
My maps are extremely high quality reproductions of original maps.
I source original, rare maps from libraries, auction houses and private collections around the world, restore them at my London workshop, and then use specialist giclée inks and printers to create beautiful maps that look even better than the original.
My maps are printed on acid-free archival matte (not glossy) paper that feels very high quality and almost like card. In technical terms the paper weight/thickness is 10mil/200gsm. It's perfect for framing.
I print with Epson ultrachrome giclée UV fade resistant pigment inks - some of the best inks you can find.
I can also make maps on canvas, cotton rag and other exotic materials.
Learn more about The Unique Maps Co.
Map personalisation
If you're looking for the perfect anniversary or housewarming gift, I can personalise your map to make it truly unique. For example, I can add a short message, or highlight an important location, or add your family's coat of arms.
The options are almost infinite. Please see my map personalisation page for some wonderful examples of what's possible.
To order a personalised map, select "personalise your map" before adding it to your basket.
Get in touch if you're looking for more complex customisations and personalisations.
Map ageing
I have been asked hundreds of times over the years by customers if they could buy a map that looks even older.
Well, now you can, by selecting Aged before you add a map to your basket.
All the product photos you see on this page show the map in its Original form. This is what the map looks like today.
If you select Aged, I will age your map by hand, using a special and unique process developed through years of studying old maps, talking to researchers to understand the chemistry of aging paper, and of course... lots of practice!
If you're unsure, stick to the Original colour of the map. If you want something a bit darker and older looking, go for Aged.
Se non sei soddisfatto del tuo ordine per qualsiasi motivo, contattami per un rimborso senza problemi. Si prega di consultare la nostra politica di reso e rimborso per ulteriori informazioni.
Sono molto sicuro che ti piacerà la tua mappa restaurata o la stampa d'arte. Lo faccio dal 1984. Sono un venditore Etsy a 5 stelle. Ho venduto decine di migliaia di mappe e stampe d'arte e ho oltre 5.000 recensioni reali a 5 stelle.
Utilizzo un processo unico per restaurare mappe e opere d'arte che richiede molto tempo e lavoro. Trovare le mappe e le illustrazioni originali può richiedere mesi. Utilizzo tecnologia all'avanguardia e incredibilmente costosa per scannerizzare e restaurarle. Di conseguenza, garantisco che le mie mappe e stampe d'arte siano superiori alle altre - ecco perché posso offrire un rimborso senza problemi.
Quasi tutte le mie mappe e stampe d'arte sembrano fantastiche a grandi dimensioni (200 cm, 6,5 piedi+) e posso anche incorniciarle e consegnarle a te, tramite un corriere speciale per oggetti di grandi dimensioni. Contattami per discutere delle tue esigenze specifiche.
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ci scusiamo per l'inconveniente.
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Australien (Sudland) auch Polynesien oder Inselwelt, insgemein der funfte Welltheil is Johann Walch’s 1830 meditation on the newly illuminated South Pacific, rendered at a moment when Cook’s legacies and earlier Dutch soundings had redrawn Europe’s mental map. Working within the vigorous German cartographic tradition, Walch assembles Australia, New Zealand, and the island constellations of Polynesia into a single, intelligible theater of exploration. The title’s invocation of the “fifth part of the world” situates Oceania alongside the classical continents, signaling the region’s arrival in scholarly geography. An elegant oval cartouche anchors the composition, while restrained, earth-toned washes set off coastlines and islands with scholarly poise, inviting the viewer to trace the Pacific’s story through names, routes, and carefully placed historical notes.
Walch’s design marries clarity and ornament with late-Enlightenment discipline. A decorative border frames a precise graticule laid out on a straightforward cylindrical, equirectangular projection that privileges legibility across immense oceanic spans. German-language labels, crisply engraved, deliver a learned cadence to place names that alternate between indigenous forms and European coinages. In the lower right, a neatly tabulated scale underscores the map’s practical aspirations, while the oval cartouche in the upper right counterbalances the open sweep of the Pacific. The subdued palette—ochres, soft greens, and diluted blues—keeps the geography paramount, accentuating capes, bays, and archipelagos without theatrical excess.
At the heart of the sheet run the tracks of discovery. Fine lines register the voyages of Captain Cook, Abel Tasman, and their successors as they crisscross the Pacific, their courses annotated with dates and terse remarks that turn the ocean into a ledger of inquiry. Australia appears as Neu Holland, with Van Diemen’s Land distinct—its separation by Bass Strait now firmly recognized—while New Zealand takes its modern, bifurcated form. Threads of route lines bend toward Tahitian and Polynesian waypoints, reaching as far as the remote note of Pitcairn. The viewer witnesses not merely landfall after landfall, but the gradual knitting together of coastlines—bays sharpened, promontories corrected—across successive expeditions.
Scope is one of the map’s quiet triumphs. Walch frames the Pacific world against its Asian margins—Sumatra, Borneo, Japan, and Korea—underscoring the maritime corridors that connected Oceania to global trade and scientific exchange. The juxtaposition of indigenous toponyms with European appellations captures a transitional lexicon: a record of encounter, adoption, and sometimes overwriting. Annotations punctuate key theaters—around Australia’s northern shores, along New Zealand’s coasts—where soundings, landfalls, or diplomatic first contacts altered charts and expectations. The sea itself becomes the subject: not a void, but a network of traversed lines, a stage on which longitude, latitude, and human purpose converged to transform conjecture into mapped certainty.
Johann Walch, heir to Augsburg’s accomplished school of mapmaking, excels here as synthesist. Drawing upon decades of journals and Admiralty charts, he distills a turbulent century of Pacific exploration into a coherent, elegant narrative. For contemporary Europeans, such a sheet helped reset the horizon—turning “Sudland” from rumor into region, and Polynesia from scattered myths into a comprehensible island world. The disciplined engraving, the scholar’s German rubric, and the measured routes together offer both a précis of discovery and a study in cartographic restraint. It is a work that rewards lingering: a document of how the fifth part of the world was charted, argued over, and finally understood.
Countries and regions on this map
- Australia (designated as "Neu Holland")
- New Zealand (represented as two islands)
- Polynesia (various islands shown)
- Sumatra
- Japan
- Korea
- South Pacific islands, including Pitcairn Island and others
- Borneo
- Tasmania (cited as Van Diemen’s Land in historical context)
Notable Features & Landmarks
- Tracks of explorers: lines indicating the routes taken by explorers such as Captain Cook, Tasman, and others.
- Place names: numerous names in Australia, New Zealand, and various Pacific islands, some based on native names.
- Geographical features: outlines of coastlines, islands, and bays, particularly those around Australia and New Zealand.
- Sea routes: indicators of maritime navigation routes and noted voyages, which include historical contexts.
- Annotations: historical notes detailing significant events or explorers related to the areas mapped.
- Cartouche: a simple oval cartouche that enhances the aesthetic appeal of the map.
Historical and design context
- Name of the map: Australien (Sudland) auch Polynesien oder Inselwelt, insgemein der funfte Welltheil.
- Mapmaker: Johann Walch.
- Date of creation: 1830.
- Design and style: oval cartouche in the upper right; scale in the lower right; decorative border; labels in German; muted earth tones highlighting cartographical elements without detracting from geographic accuracy.
- Topics and themes: exploration of Australasia and the South Pacific; routes of European explorers; highlights voyages by Captain Cook, Abel Tasman, and others; reflects European curiosity and expanding presence in the Pacific during the age of exploration.
- Historical significance: produced during heightened interest in the Pacific following Cook’s voyages; helped shape European perceptions of Australia and surrounding islands.
- Mapmaker context: Walch was part of a German cartographic tradition producing detailed maps for an expanding audience interested in the Pacific; his works contributed to knowledge about newly explored regions.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 100in (250cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 16x20in (40x50cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.

