Rare Old Map of Durango, Mexico, 1922: Durango City, Gómez Palacio, Lerdo, Sierra Madre Occidental, railroads
Restaurado en nuestro taller de Londres a partir del mapa original de 1922 e impreso en calidad museo. Descripción completa
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Elija dos obras elegibles y obtenga un 20 % de descuento en ambas. Elija tres y la de menor precio será gratuita, con un ahorro máximo del 33 %.
Combine y mezcle mapas estándar elegibles y reproducciones de bellas artes. No se requiere código; la oferta se aplica automáticamente al finalizar la compra.
Se incluyen las configuraciones estándar hechas por encargo. Quedan excluidos los tamaños a medida, los diseños personalizados y los trabajos por encargo.
¿Necesita entrega en diferentes direcciones? Contáctenos antes de realizar el pedido.
Restaurado en Londres • Impreso y enmarcado en la UE
Restaurado a partir del mapa original de 1922 e impreso en calidad museo. Descripción completa
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Entitled No. 10: Durango, this 1922 map by the Mexico Dirección de Estudios Geográficos y Climatológicos forms part of a thirty-two-sheet national...
Seguir leyendoEntitled No. 10: Durango, this 1922 map by the Mexico Dirección de Estudios Geográficos y Climatológicos forms part of a thirty-two-sheet national atlas issued in its second edition by the Secretaría de Agricultura y Fomento. Orchestrated under the direction of Ing. Sotero Prieto, it brings together political and physical geography in a composite design that overlays shaded relief on geologic understanding, making the mountains, basins, and borders of Durango immediately legible. The cartography balances administrative clarity—firm state lines, clearly drawn boundaries, named settlements—with a tactile sense of terrain rendered through isolines and careful hill shading. Railroads, roads, rivers, and lakes are woven into this framework, inviting the eye to follow arterial routes from city to sierra. The result is a lucid, authoritative portrait of a state pivotal to Mexico’s interior during the early twentieth century.
Anchored in the southwestern reaches of North America, Durango emerges here as a land of high plateaus broken by the ramparts of the Sierra Madre Occidental and scored by river valleys that collect seasonal waters. Shaded relief gathers densely along the western escarpments, where closely spaced contours announce steep gradients and deep barrancas, then relaxes eastward into broader plains and intermontane basins. Rivers and lakes are plotted with hydrologic care, their courses threading through settlements and agricultural districts; isolines allow the viewer to read watersheds, passes, and divides at a glance. The map’s symbology, consistent across the atlas, even echoes hydrographic practices—soundings appear where relevant elsewhere in the series—underscoring a scientific ethos that treats elevation and depth with equal precision. Natural landforms and human corridors are thus seen in productive dialogue.
Urban and rural life are mapped with equal candor. Durango City anchors the central plateau, its prominence corroborated by the convergence of roads radiating toward mining towns and valley farms. In the northeast, Gómez Palacio and Lerdo appear as paired urban nodes flanking vital river courses and rail lines, their gridded footprints hinting at industrial and commercial vigor. Canatlán is set amid orchards and cool uplands, while Tlahualilo, farther toward the desert margins, stands as a testament to frontier agriculture and transport. The map traces railroads with crisp regularity—each siding, junction, and long traverse across the flats—while the arterial roads negotiate passes and river fords, hugging valley floors before lifting to highland shelves. Taken together, these networks reveal how Durango’s rugged physiography shaped, and was shaped by, the flows of people, goods, and capital.
Behind this clarity lies a disciplined enterprise. Ing. Sotero Prieto’s coordination brought together surveyors, engineers, and draftsmen within the Dirección de Estudios Geográficos y Climatológicos, with Ing. Luciano López Sorcini among the key contributors. Zincographers such as Antonio Hernández transformed field observations into precise linework, labels, and symbols—an early twentieth-century, photomechanical craft capable of rendering fine contour sequences, rail ticks, and boundary stipples without sacrificing legibility. The composite methodology—relief shading worked over geologic structure—yields a map that teaches as it enchants, letting readers intuit the relation between lithology, slope, and settlement. Even the atlas’s cover announces this ambition: a full-color regional tableau adorned with a decorative Mayan motif and a map attributed to a Maya Indian, a nod to deep cartographic traditions informing a modern, technocratic survey of the Republic.
As a document of its moment, No. 10: Durango distills Mexico’s early twentieth-century project of renewal—administrative consolidation, infrastructural reach, and resource appraisal—into a single, navigable sheet. Political boundaries assert order; the road and rail lattices advertise mobility; the rivers and lakes register the environmental constraints that planners had to respect or reimagine. Mining uplands, timbered sierras, and irrigable basins each claim their cartographic space, hinting at the economic geographies that motivated such meticulous study. Issued by the Secretaría de Agricultura y Fomento, the series was designed to be used: by engineers plotting a new feeder line, by agronomists reading a watershed, by administrators understanding their districts. A century later, it remains a superb guide to Durango’s enduring structure—where the land folds, the waters run, and the cities take hold.
Cities and towns on this map
- Durango City: The capital with a significant population.
- Gomez Palacio: A notable urban area near Durango City.
- Lerdo: Another important settlement with a substantial population.
- Canatlán: Smaller town listed on the map.
- Tlahualilo: A town mentioned, less populous than the above.
Notable Features & Landmarks
- Political Boundaries: Clearly defined borders outlining Durango.
- Roads and Railroads: Extensive network depicted, indicating major thoroughfares and transport routes.
- Settlements: Labelled towns and cities providing context to populated areas.
- Geological Features: Representation of elevation through shadings and isolines.
- Water Bodies: Major rivers and lakes marked, contributing to hydrological understanding.
- Natural Landforms: Mountains and valleys illustrated in a way that complements the mapping of infrastructure.
Historical and design context
- Map Name: No. 10: Durango
- Creation Date: 1922
- Mapmaker/Publisher: Mexico Dirección de Estudios Geográficos y Climatológicos
- Map Overview: This is a detailed political and physical map of Durango, part of a series totaling thirty-two maps that also includes relief and geologic maps.
- Geographical Focus: Southwestern Coast of North America, emphasizing Durango.
- Design Elements: The map's aesthetic includes a composite design with overlays of relief maps on geologic maps, enhancing visual understanding of terrain.
- Cover Design: The cover features a full-color representation of the region adorned with a decorative Mayan illustration and a map attributed to a Maya Indian.
- Project Leadership: Coordinated by Ing. Sotero Prieto, with contributions from Ing. Luciano Lopez Sorcini and several zincographers, including Antonio Hernandez.
- Edition Details: Part of the second edition published by the Secretaria de Agricultura y Fomento, under the direction of the geographical studies division.
- Significance of Series: The atlas aims to provide a comprehensive view of geographic and infrastructural developments in Mexico during the early 20th century, reflecting historical cartography practices.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 90in (230cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 16x20in (40x50cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
Entitled No. 10: Durango, this 1922 map by the Mexico Dirección de Estudios Geográficos y Climatológicos forms part of a thirty-two-sheet national atlas issued in its second edition by the Secretaría de Agricultura y Fomento. Orchestrated under the direction of Ing. Sotero Prieto, it brings together political and physical geography in a composite design that overlays shaded relief on geologic understanding, making the mountains, basins, and borders of Durango immediately legible. The cartography balances administrative clarity—firm state lines, clearly drawn boundaries, named settlements—with a tactile sense of terrain rendered through isolines and careful hill shading. Railroads, roads, rivers, and lakes are woven into this framework, inviting the eye to follow arterial routes from city to sierra. The result is a lucid, authoritative portrait of a state pivotal to Mexico’s interior during the early twentieth century.
Anchored in the southwestern reaches of North America, Durango emerges here as a land of high plateaus broken by the ramparts of the Sierra Madre Occidental and scored by river valleys that collect seasonal waters. Shaded relief gathers densely along the western escarpments, where closely spaced contours announce steep gradients and deep barrancas, then relaxes eastward into broader plains and intermontane basins. Rivers and lakes are plotted with hydrologic care, their courses threading through settlements and agricultural districts; isolines allow the viewer to read watersheds, passes, and divides at a glance. The map’s symbology, consistent across the atlas, even echoes hydrographic practices—soundings appear where relevant elsewhere in the series—underscoring a scientific ethos that treats elevation and depth with equal precision. Natural landforms and human corridors are thus seen in productive dialogue.
Urban and rural life are mapped with equal candor. Durango City anchors the central plateau, its prominence corroborated by the convergence of roads radiating toward mining towns and valley farms. In the northeast, Gómez Palacio and Lerdo appear as paired urban nodes flanking vital river courses and rail lines, their gridded footprints hinting at industrial and commercial vigor. Canatlán is set amid orchards and cool uplands, while Tlahualilo, farther toward the desert margins, stands as a testament to frontier agriculture and transport. The map traces railroads with crisp regularity—each siding, junction, and long traverse across the flats—while the arterial roads negotiate passes and river fords, hugging valley floors before lifting to highland shelves. Taken together, these networks reveal how Durango’s rugged physiography shaped, and was shaped by, the flows of people, goods, and capital.
Behind this clarity lies a disciplined enterprise. Ing. Sotero Prieto’s coordination brought together surveyors, engineers, and draftsmen within the Dirección de Estudios Geográficos y Climatológicos, with Ing. Luciano López Sorcini among the key contributors. Zincographers such as Antonio Hernández transformed field observations into precise linework, labels, and symbols—an early twentieth-century, photomechanical craft capable of rendering fine contour sequences, rail ticks, and boundary stipples without sacrificing legibility. The composite methodology—relief shading worked over geologic structure—yields a map that teaches as it enchants, letting readers intuit the relation between lithology, slope, and settlement. Even the atlas’s cover announces this ambition: a full-color regional tableau adorned with a decorative Mayan motif and a map attributed to a Maya Indian, a nod to deep cartographic traditions informing a modern, technocratic survey of the Republic.
As a document of its moment, No. 10: Durango distills Mexico’s early twentieth-century project of renewal—administrative consolidation, infrastructural reach, and resource appraisal—into a single, navigable sheet. Political boundaries assert order; the road and rail lattices advertise mobility; the rivers and lakes register the environmental constraints that planners had to respect or reimagine. Mining uplands, timbered sierras, and irrigable basins each claim their cartographic space, hinting at the economic geographies that motivated such meticulous study. Issued by the Secretaría de Agricultura y Fomento, the series was designed to be used: by engineers plotting a new feeder line, by agronomists reading a watershed, by administrators understanding their districts. A century later, it remains a superb guide to Durango’s enduring structure—where the land folds, the waters run, and the cities take hold.
Cities and towns on this map
- Durango City: The capital with a significant population.
- Gomez Palacio: A notable urban area near Durango City.
- Lerdo: Another important settlement with a substantial population.
- Canatlán: Smaller town listed on the map.
- Tlahualilo: A town mentioned, less populous than the above.
Notable Features & Landmarks
- Political Boundaries: Clearly defined borders outlining Durango.
- Roads and Railroads: Extensive network depicted, indicating major thoroughfares and transport routes.
- Settlements: Labelled towns and cities providing context to populated areas.
- Geological Features: Representation of elevation through shadings and isolines.
- Water Bodies: Major rivers and lakes marked, contributing to hydrological understanding.
- Natural Landforms: Mountains and valleys illustrated in a way that complements the mapping of infrastructure.
Historical and design context
- Map Name: No. 10: Durango
- Creation Date: 1922
- Mapmaker/Publisher: Mexico Dirección de Estudios Geográficos y Climatológicos
- Map Overview: This is a detailed political and physical map of Durango, part of a series totaling thirty-two maps that also includes relief and geologic maps.
- Geographical Focus: Southwestern Coast of North America, emphasizing Durango.
- Design Elements: The map's aesthetic includes a composite design with overlays of relief maps on geologic maps, enhancing visual understanding of terrain.
- Cover Design: The cover features a full-color representation of the region adorned with a decorative Mayan illustration and a map attributed to a Maya Indian.
- Project Leadership: Coordinated by Ing. Sotero Prieto, with contributions from Ing. Luciano Lopez Sorcini and several zincographers, including Antonio Hernandez.
- Edition Details: Part of the second edition published by the Secretaria de Agricultura y Fomento, under the direction of the geographical studies division.
- Significance of Series: The atlas aims to provide a comprehensive view of geographic and infrastructural developments in Mexico during the early 20th century, reflecting historical cartography practices.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 90in (230cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 16x20in (40x50cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
Muchos de nuestros mapas y reproducciones de arte se eligen como regalos considerados para hogares, oficinas, despachos y lugares significativos.
Elija una opción enmarcada para el regalo más sencillo, listo para colgar, o elija una lámina sin enmarcar si el destinatario prefiere seleccionar su propio marco.
Producimos los pedidos localmente en 23 países de todo el mundo, por lo que a menudo los regalos pueden realizarse cerca del destinatario. Esto ayuda a que lleguen más rápido, viajen de forma más segura y eviten sorpresas por aduanas o aranceles de importación.
- Podemos entregar directamente al destinatario
- Las piezas enmarcadas llegan listas para colgar
- Las láminas sin enmarcar se embalan cuidadosamente en un resistente tubo protector
- Casi todos los pedidos se producen localmente, para regalar de forma más rápida y segura
- Las devoluciones de 90 días dan al destinatario tiempo para decidir
Si no está seguro de qué elegir, por favor contáctenos. Podemos ayudarle a escoger el mapa, tamaño, acabado u opción de entrega adecuados.
Para la mayoría de los pedidos, el tiempo de entrega es de aproximadamente 3 días laborables. Los productos personalizados y a medida tardan más, ya que tengo que hacer la personalización y enviártelo para su aprobación, lo cual suele tardar 1 o 2 días.
Tenga en cuenta que los pedidos enmarcados muy grandes suelen tardar más en fabricarse y entregarse.
Si necesitas que tu pedido llegue para una fecha determinada, por favor contáctame antes de hacer el pedido para que podamos encontrar la mejor manera de asegurarnos de que recibas tu pedido a tiempo.
Imprimo y enmarco mapas y obras de arte en 23 países alrededor del mundo. Esto significa que tu pedido se fabricará localmente, lo que reduce el tiempo de entrega y asegura que no se dañe durante el envío. Nunca pagarás aranceles de aduana o impuestos de importación, y pondremos menos CO2 en el aire.
Todos mis mapas y impresiones artísticas están bien empaquetados y enviados en un tubo resistente si no están enmarcados, o rodeados de espuma si están enmarcados.
Intento enviar todos los pedidos dentro de 1 o 2 días después de recibir tu pedido, aunque algunos productos (como mascarillas, tazas y bolsas de tela) pueden tardar más en fabricarse.
Si seleccionas Entrega Exprés al finalizar la compra, priorizaremos tu pedido y lo enviaremos por mensajería de 1 día (Fedex, DHL, UPS, Parcelforce).
La entrega al día siguiente también está disponible en algunos países (EE. UU., Reino Unido, Singapur, EAU), pero por favor intenta hacer tu pedido temprano en el día para que podamos enviarlo a tiempo.
Mi marco estándar es un marco de madera de fresno negro estilo galería. Es simple y tiene un aspecto bastante moderno. Mi marco estándar tiene alrededor de 20 mm (0.8 in) de ancho.
Utilizo acrílico super claro (perspex/acrylite) para el vidrio del marco. Es más ligero y seguro que el vidrio, y se ve mejor, ya que la reflectividad es menor.
Seis colores de marco estándar están disponibles de forma gratuita (negro, marrón oscuro, gris oscuro, roble, blanco y oro antiguo).El enmarcado y montaje/matizado personalizado está disponible si buscas algo diferente.
La mayoría de los mapas, arte e ilustraciones también están disponibles como un lienzo enmarcado. Utilizamos lienzo de algodón mate (no brillante), lo estiramos sobre un marco de madera de caja de origen sostenible, y luego 'flotamos' la pieza dentro de un marco de madera. El resultado final es bastante hermoso, y no hay cristal que se interponga.
Todos los marcos se proporcionan "listos para colgar", con una cuerda o soportes en la parte posterior. Los marcos muy grandes tendrán placas de colgar de alta resistencia y/o un listón de montaje. Si tienes alguna pregunta, por favor ponte en contacto.
Mira algunos ejemplos de mis mapas enmarcados y mapas en lienzo enmarcados.
Alternativamente, también puedo proporcionar mapas antiguos y obras de arte en lienzo, tablero de espuma, papel de algodón y otros materiales.
Si deseas enmarcar tu mapa o obra de arte tú mismo, por favor lee mi guía de tamaños primero.
Mis mapas son reproducciones de mapas originales de altísima calidad.
Obtengo mapas originales y raros de bibliotecas, casas de subastas y colecciones privadas de todo el mundo, los restauro en mi taller de Londres y luego uso tintas e impresoras giclée especializadas para crear hermosos mapas que lucen incluso mejor que el original.
Mis mapas están impresos en papel de archivo mate (no brillante) sin ácido que se siente de muy alta calidad y casi como una tarjeta. En términos técnicos, el peso/grosor del papel es de 10 mil/200 g/m². Es perfecto para enmarcar.
Imprimo con tintas pigmentadas Epson ultrachrome giclée UV resistentes a la decoloración, algunas de las mejores tintas que puedes encontrar.
yo también puedo hacer mapas sobre lienzo, trapo de algodón y otros materiales exóticos.
Obtenga más información sobre The Unique Maps Co..
Personalización de mapas
Si está buscando el regalo perfecto de aniversario o inauguración de la casa, puedo personalizar su mapa para hacerlo verdaderamente único. Por ejemplo, puedo agregar un mensaje corto, resaltar una ubicación importante o agregar el escudo de armas de su familia.
Las opciones son casi infinitas. Por favor mira mi página de personalización de mapas para ver algunos maravillosos ejemplos de lo que es posible.
Para pedir un mapa personalizado, seleccione "personalizar su mapa" antes de agregarlo a su carrito.
Ponerse en contacto si buscas personalizaciones y personalizaciones más complejas.
Envejecimiento del mapa
A lo largo de los años, los clientes me han preguntado cientos de veces si podían comprar un mapa que se viera uniforme. más viejo.
Bueno, ahora puedes hacerlo seleccionando Envejecido antes de agregar un mapa a tu carrito.
Todas las fotografías de productos que ve en esta página muestran el mapa en su forma original. Así es como se ve el mapa hoy.
Si selecciona Envejecido, envejeceré su mapa a mano, usando un proceso especial y único desarrollado a través de años de estudiar mapas antiguos, hablar con investigadores para comprender la química del envejecimiento del papel y, por supuesto... ¡mucha práctica!
Si no estás seguro, quédate con el color original del mapa. Si quieres algo un poco más oscuro y más viejo buscando, opte por Envejecido.
Si no estás satisfecho con tu pedido por cualquier motivo, contáctame para un reembolso sin complicaciones. Por favor, consulta nuestra política de devoluciones y reembolsos para más información.
Estoy muy seguro de que te gustará tu mapa o impresión artística restaurada. He estado haciendo esto desde 1984. Soy un vendedor de 5 estrellas en Etsy. He vendido decenas de miles de mapas e impresiones artísticas y tengo más de 5,000 opiniones reales de 5 estrellas.
Utilizo un proceso único para restaurar mapas y obras de arte que consume mucho tiempo y mano de obra. Buscar los mapas e ilustraciones originales puede llevar meses. Utilizo tecnología de última generación y extremadamente cara para escanear y restaurarlos. Como resultado, garantizo que mis mapas e impresiones artísticas son superiores a los demás - por eso puedo ofrecer un reembolso sin complicaciones.
Casi todos mis mapas e impresiones artísticas se ven increíbles en tamaños grandes (200cm, 6.5ft+) y también puedo enmarcarlos y entregártelos a través de un servicio de mensajería especial para tamaños grandes. Contáctame para discutir tus necesidades específicas.
Este servicio no está disponible actualmente,
disculpe las molestias.
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Entitled No. 10: Durango, this 1922 map by the Mexico Dirección de Estudios Geográficos y Climatológicos forms part of a thirty-two-sheet national atlas issued in its second edition by the Secretaría de Agricultura y Fomento. Orchestrated under the direction of Ing. Sotero Prieto, it brings together political and physical geography in a composite design that overlays shaded relief on geologic understanding, making the mountains, basins, and borders of Durango immediately legible. The cartography balances administrative clarity—firm state lines, clearly drawn boundaries, named settlements—with a tactile sense of terrain rendered through isolines and careful hill shading. Railroads, roads, rivers, and lakes are woven into this framework, inviting the eye to follow arterial routes from city to sierra. The result is a lucid, authoritative portrait of a state pivotal to Mexico’s interior during the early twentieth century.
Anchored in the southwestern reaches of North America, Durango emerges here as a land of high plateaus broken by the ramparts of the Sierra Madre Occidental and scored by river valleys that collect seasonal waters. Shaded relief gathers densely along the western escarpments, where closely spaced contours announce steep gradients and deep barrancas, then relaxes eastward into broader plains and intermontane basins. Rivers and lakes are plotted with hydrologic care, their courses threading through settlements and agricultural districts; isolines allow the viewer to read watersheds, passes, and divides at a glance. The map’s symbology, consistent across the atlas, even echoes hydrographic practices—soundings appear where relevant elsewhere in the series—underscoring a scientific ethos that treats elevation and depth with equal precision. Natural landforms and human corridors are thus seen in productive dialogue.
Urban and rural life are mapped with equal candor. Durango City anchors the central plateau, its prominence corroborated by the convergence of roads radiating toward mining towns and valley farms. In the northeast, Gómez Palacio and Lerdo appear as paired urban nodes flanking vital river courses and rail lines, their gridded footprints hinting at industrial and commercial vigor. Canatlán is set amid orchards and cool uplands, while Tlahualilo, farther toward the desert margins, stands as a testament to frontier agriculture and transport. The map traces railroads with crisp regularity—each siding, junction, and long traverse across the flats—while the arterial roads negotiate passes and river fords, hugging valley floors before lifting to highland shelves. Taken together, these networks reveal how Durango’s rugged physiography shaped, and was shaped by, the flows of people, goods, and capital.
Behind this clarity lies a disciplined enterprise. Ing. Sotero Prieto’s coordination brought together surveyors, engineers, and draftsmen within the Dirección de Estudios Geográficos y Climatológicos, with Ing. Luciano López Sorcini among the key contributors. Zincographers such as Antonio Hernández transformed field observations into precise linework, labels, and symbols—an early twentieth-century, photomechanical craft capable of rendering fine contour sequences, rail ticks, and boundary stipples without sacrificing legibility. The composite methodology—relief shading worked over geologic structure—yields a map that teaches as it enchants, letting readers intuit the relation between lithology, slope, and settlement. Even the atlas’s cover announces this ambition: a full-color regional tableau adorned with a decorative Mayan motif and a map attributed to a Maya Indian, a nod to deep cartographic traditions informing a modern, technocratic survey of the Republic.
As a document of its moment, No. 10: Durango distills Mexico’s early twentieth-century project of renewal—administrative consolidation, infrastructural reach, and resource appraisal—into a single, navigable sheet. Political boundaries assert order; the road and rail lattices advertise mobility; the rivers and lakes register the environmental constraints that planners had to respect or reimagine. Mining uplands, timbered sierras, and irrigable basins each claim their cartographic space, hinting at the economic geographies that motivated such meticulous study. Issued by the Secretaría de Agricultura y Fomento, the series was designed to be used: by engineers plotting a new feeder line, by agronomists reading a watershed, by administrators understanding their districts. A century later, it remains a superb guide to Durango’s enduring structure—where the land folds, the waters run, and the cities take hold.
Cities and towns on this map
- Durango City: The capital with a significant population.
- Gomez Palacio: A notable urban area near Durango City.
- Lerdo: Another important settlement with a substantial population.
- Canatlán: Smaller town listed on the map.
- Tlahualilo: A town mentioned, less populous than the above.
Notable Features & Landmarks
- Political Boundaries: Clearly defined borders outlining Durango.
- Roads and Railroads: Extensive network depicted, indicating major thoroughfares and transport routes.
- Settlements: Labelled towns and cities providing context to populated areas.
- Geological Features: Representation of elevation through shadings and isolines.
- Water Bodies: Major rivers and lakes marked, contributing to hydrological understanding.
- Natural Landforms: Mountains and valleys illustrated in a way that complements the mapping of infrastructure.
Historical and design context
- Map Name: No. 10: Durango
- Creation Date: 1922
- Mapmaker/Publisher: Mexico Dirección de Estudios Geográficos y Climatológicos
- Map Overview: This is a detailed political and physical map of Durango, part of a series totaling thirty-two maps that also includes relief and geologic maps.
- Geographical Focus: Southwestern Coast of North America, emphasizing Durango.
- Design Elements: The map's aesthetic includes a composite design with overlays of relief maps on geologic maps, enhancing visual understanding of terrain.
- Cover Design: The cover features a full-color representation of the region adorned with a decorative Mayan illustration and a map attributed to a Maya Indian.
- Project Leadership: Coordinated by Ing. Sotero Prieto, with contributions from Ing. Luciano Lopez Sorcini and several zincographers, including Antonio Hernandez.
- Edition Details: Part of the second edition published by the Secretaria de Agricultura y Fomento, under the direction of the geographical studies division.
- Significance of Series: The atlas aims to provide a comprehensive view of geographic and infrastructural developments in Mexico during the early 20th century, reflecting historical cartography practices.
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