Rare Old Siege Map of Charleston SC by Abernethie, 1785: Ft Moultrie, Cooper R blockade, The Battery, Brit fleet, Gen Lincoln
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20% de descuento en 2 — 33% de descuento en 3
Añade dos artículos elegibles a tu carrito para recibir 20% de descuento. Añade un tercero y será complementario (equivalente a 33% de descuento al comprar tres).
No se necesita código — la oferta se aplica automáticamente al finalizar la compra.
Válido en todos los mapas estándar y impresiones de arte fino. Puedes mezclar y combinar cualquier diseño.
Si deseas enviar artículos a múltiples direcciones, por favor contáctanos antes de realizar tu pedido.
Las comisiones personalizadas y a medida están excluidas.
Contáctanos si tienes alguna pregunta
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Thomas Abernethie’s A Sketch of the Operations before Charleston the Capital of South Carolina 1780 captures the decisive siege that reshaped the Southern theater of the American Revolution. Engraved in 1785 by an early Charleston artisan, it stands among the first maps published in America and is celebrated as the first plan of Charleston to be printed on American soil. Its appearance in David Ramsay’s History of the Revolution of South Carolina—famously the first work granted copyright in the United States—anchors the plan at the crossroads of military history and the birth of American print culture. With a decorative cartouche, clear legends, and a crisply rendered compass rose, the sheet distills the city’s strategic geography at the very moment of its trial.
What makes this plan singular is its granular depiction of the siege mechanics. Abernethie charts British ship positions hemming in the harbor and the vital blockade of the Cooper River, effectively severing American lifelines. Fortifications are carefully labeled—from the Battery guarding the waterfront to the outer works that once promised a stubborn defense—while the placement of American encampments and British parallels reveals the tightening noose that culminated in General Benjamin Lincoln’s capitulation on May 12, 1780. Notations of vessels such as the Providence, Ranger, and La Fage situate naval assets within the broader choreography of attack and denial, reflecting how sea power and earthworks worked in concert to force the largest American surrender of the war.
Abernethie’s engraving—deemed naïve by some—proves remarkably effective in conveying both the lived city and its war footing. Streets and blocks are crisply plotted, with King Street marching inland from the bustle of East Bay and the Market, the Commons laid out as a civic breathing space, and St. Philip’s Church rising as a landmark within the grid. Waterfront defenses and batteries knit the urban fabric to the harbor, while the West Side and early districts register Charleston’s growing footprint. This union of urban planning and martial preparation underscores why Charleston, a premier Atlantic entrepôt, drew such concentrated British attention in 1780.
The plan’s provenance amplifies its rarity and authority. Thomas Abernethie, a Scottish engraver working in Charleston, cut some of the earliest maps ever published in the nascent United States, drawing on local intelligence that larger imperial presses often lacked. His hand is also known on treasury notes and Masonic bookplates, yet it is here—rendering fort lines, ship lists, and reference keys—that his craft most fully serves the historical record. Issued as the second earliest map known to have been published south of the Mason–Dixon Line, and among the earliest Revolutionary battle plans printed in America, it embodies an indigenous cartographic voice at a moment of national crisis.
Historically, the Siege of Charleston signaled the pivot of British strategy to the South and the temporary humiliation of the Patriot cause, even as it lit the fuse for the partisan resurgence of Marion, Sumter, and Pickens. Abernethie’s plan preserves that turning point with a documentarian clarity: a city girded for defense, a harbor locked by blockade, and a countryside funneling armies toward inevitable collision. Its legends and labeled maneuvers guide the eye through a masterpiece of 18th-century operational art, making the sheet indispensable to collectors of Revolutionary Americana, Charleston history, and early American engraving—an eloquent witness to the stakes, strategies, and consequences of 1780.
Places on this map
- Charleston (city)
- Cooper River (waterway)
- Battery (fortification)
- Fort Moultrie (defensive position)
- British Ship positions (naval assets)
- American encampments
- King Street (main thoroughfare)
- East Bay Street
- Waterfront defenses
- Public squares (notably the Commons area)
- Providence (ship)
- Ranger (ship)
- La Fage (ship)
- Historic landmarks related to military actions
- St. Philip's Church (notable landmark)
- West Side (neighborhood)
- Market (local commerce area)
- Historic districts (identified areas of historic settlement)
- Locations of encampments or military activity zones.
Notable Features & Landmarks
- Detailed layout of Charleston, including streets and blocks.
- Fortifications labeled for defensive structures.
- Specific battle sites indicated with annotations.
- Names and details of various ships engaged during the battle.
- The blockade of the Cooper River depicted.
- Compass rose indicating cardinal directions.
- Waterfront details showcasing natural features and urban elements.
- Decorative cartouche and legends explaining map features.
- Lists of significant locations and references to military maneuvers.
Historical and design context
- Title: A Sketch of the Operations before Charleston the Capital of South Carolina 1780
- Creation Date: 1785
- Mapmaker: Thomas Abernethie
- The second earliest map published south of the Mason-Dixon Line.
- Significant Charleston Battle Plan included in David Ramsay's History of the Revolution of South Carolina.
- Abernethie was an early Scottish engraver based in Charleston, known for maps, treasury notes, and Masonic bookplates.
- His maps are among the earliest published in America, derived potentially from local sources.
- Engraving style is naïve yet captures numerous details about the Charleston battle and fortifications.
- Distinction of being the first plan of Charleston printed in America and one of the earliest battle plans of the American Revolution.
- Ramsay's book was the first work granted a copyright in the United States.
- Themes Shown: Military operations, battle plans, geographic representation, and urban development.
- Countries/Regions: South Carolina, specifically Charleston and surrounding waterways.
- Design/Style: The engraving is notable for its detailed illustration of fortifications and urban planning, with a simple yet effective layout.
- Historical Significance: Captures a key moment in the American Revolutionary War, highlighting the strategic importance of Charleston.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 70in (180cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 16x20in (40x50cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
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Mi marco estándar es un marco de madera de fresno negro estilo galería. Es simple y tiene un aspecto bastante moderno. Mi marco estándar tiene alrededor de 20 mm (0.8 in) de ancho.
Utilizo acrílico super claro (perspex/acrylite) para el vidrio del marco. Es más ligero y seguro que el vidrio, y se ve mejor, ya que la reflectividad es menor.
Seis colores de marco estándar están disponibles de forma gratuita (negro, marrón oscuro, gris oscuro, roble, blanco y oro antiguo).El enmarcado y montaje/matizado personalizado está disponible si buscas algo diferente.
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Todos los marcos se proporcionan "listos para colgar", con una cuerda o soportes en la parte posterior. Los marcos muy grandes tendrán placas de colgar de alta resistencia y/o un listón de montaje. Si tienes alguna pregunta, por favor ponte en contacto.
Mira algunos ejemplos de mis mapas enmarcados y mapas en lienzo enmarcados.
Alternativamente, también puedo proporcionar mapas antiguos y obras de arte en lienzo, tablero de espuma, papel de algodón y otros materiales.
Si deseas enmarcar tu mapa o obra de arte tú mismo, por favor lee mi guía de tamaños primero.
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Obtengo mapas originales y raros de bibliotecas, casas de subastas y colecciones privadas de todo el mundo, los restauro en mi taller de Londres y luego uso tintas e impresoras giclée especializadas para crear hermosos mapas que lucen incluso mejor que el original.
Mis mapas están impresos en papel de archivo mate (no brillante) sin ácido que se siente de muy alta calidad y casi como una tarjeta. En términos técnicos, el peso/grosor del papel es de 10 mil/200 g/m². Es perfecto para enmarcar.
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yo también puedo hacer mapas sobre lienzo, trapo de algodón y otros materiales exóticos.
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Las opciones son casi infinitas. Por favor mira mi página de personalización de mapas para ver algunos maravillosos ejemplos de lo que es posible.
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Ponerse en contacto si buscas personalizaciones y personalizaciones más complejas.
Envejecimiento del mapa
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Todas las fotografías de productos que ve en esta página muestran el mapa en su forma original. Así es como se ve el mapa hoy.
Si selecciona Envejecido, envejeceré su mapa a mano, usando un proceso especial y único desarrollado a través de años de estudiar mapas antiguos, hablar con investigadores para comprender la química del envejecimiento del papel y, por supuesto... ¡mucha práctica!
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Estoy muy seguro de que te gustará tu mapa o impresión artística restaurada. He estado haciendo esto desde 1984. Soy un vendedor de 5 estrellas en Etsy. He vendido decenas de miles de mapas e impresiones artísticas y tengo más de 5,000 opiniones reales de 5 estrellas.
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Thomas Abernethie’s A Sketch of the Operations before Charleston the Capital of South Carolina 1780 captures the decisive siege that reshaped the Southern theater of the American Revolution. Engraved in 1785 by an early Charleston artisan, it stands among the first maps published in America and is celebrated as the first plan of Charleston to be printed on American soil. Its appearance in David Ramsay’s History of the Revolution of South Carolina—famously the first work granted copyright in the United States—anchors the plan at the crossroads of military history and the birth of American print culture. With a decorative cartouche, clear legends, and a crisply rendered compass rose, the sheet distills the city’s strategic geography at the very moment of its trial.
What makes this plan singular is its granular depiction of the siege mechanics. Abernethie charts British ship positions hemming in the harbor and the vital blockade of the Cooper River, effectively severing American lifelines. Fortifications are carefully labeled—from the Battery guarding the waterfront to the outer works that once promised a stubborn defense—while the placement of American encampments and British parallels reveals the tightening noose that culminated in General Benjamin Lincoln’s capitulation on May 12, 1780. Notations of vessels such as the Providence, Ranger, and La Fage situate naval assets within the broader choreography of attack and denial, reflecting how sea power and earthworks worked in concert to force the largest American surrender of the war.
Abernethie’s engraving—deemed naïve by some—proves remarkably effective in conveying both the lived city and its war footing. Streets and blocks are crisply plotted, with King Street marching inland from the bustle of East Bay and the Market, the Commons laid out as a civic breathing space, and St. Philip’s Church rising as a landmark within the grid. Waterfront defenses and batteries knit the urban fabric to the harbor, while the West Side and early districts register Charleston’s growing footprint. This union of urban planning and martial preparation underscores why Charleston, a premier Atlantic entrepôt, drew such concentrated British attention in 1780.
The plan’s provenance amplifies its rarity and authority. Thomas Abernethie, a Scottish engraver working in Charleston, cut some of the earliest maps ever published in the nascent United States, drawing on local intelligence that larger imperial presses often lacked. His hand is also known on treasury notes and Masonic bookplates, yet it is here—rendering fort lines, ship lists, and reference keys—that his craft most fully serves the historical record. Issued as the second earliest map known to have been published south of the Mason–Dixon Line, and among the earliest Revolutionary battle plans printed in America, it embodies an indigenous cartographic voice at a moment of national crisis.
Historically, the Siege of Charleston signaled the pivot of British strategy to the South and the temporary humiliation of the Patriot cause, even as it lit the fuse for the partisan resurgence of Marion, Sumter, and Pickens. Abernethie’s plan preserves that turning point with a documentarian clarity: a city girded for defense, a harbor locked by blockade, and a countryside funneling armies toward inevitable collision. Its legends and labeled maneuvers guide the eye through a masterpiece of 18th-century operational art, making the sheet indispensable to collectors of Revolutionary Americana, Charleston history, and early American engraving—an eloquent witness to the stakes, strategies, and consequences of 1780.
Places on this map
- Charleston (city)
- Cooper River (waterway)
- Battery (fortification)
- Fort Moultrie (defensive position)
- British Ship positions (naval assets)
- American encampments
- King Street (main thoroughfare)
- East Bay Street
- Waterfront defenses
- Public squares (notably the Commons area)
- Providence (ship)
- Ranger (ship)
- La Fage (ship)
- Historic landmarks related to military actions
- St. Philip's Church (notable landmark)
- West Side (neighborhood)
- Market (local commerce area)
- Historic districts (identified areas of historic settlement)
- Locations of encampments or military activity zones.
Notable Features & Landmarks
- Detailed layout of Charleston, including streets and blocks.
- Fortifications labeled for defensive structures.
- Specific battle sites indicated with annotations.
- Names and details of various ships engaged during the battle.
- The blockade of the Cooper River depicted.
- Compass rose indicating cardinal directions.
- Waterfront details showcasing natural features and urban elements.
- Decorative cartouche and legends explaining map features.
- Lists of significant locations and references to military maneuvers.
Historical and design context
- Title: A Sketch of the Operations before Charleston the Capital of South Carolina 1780
- Creation Date: 1785
- Mapmaker: Thomas Abernethie
- The second earliest map published south of the Mason-Dixon Line.
- Significant Charleston Battle Plan included in David Ramsay's History of the Revolution of South Carolina.
- Abernethie was an early Scottish engraver based in Charleston, known for maps, treasury notes, and Masonic bookplates.
- His maps are among the earliest published in America, derived potentially from local sources.
- Engraving style is naïve yet captures numerous details about the Charleston battle and fortifications.
- Distinction of being the first plan of Charleston printed in America and one of the earliest battle plans of the American Revolution.
- Ramsay's book was the first work granted a copyright in the United States.
- Themes Shown: Military operations, battle plans, geographic representation, and urban development.
- Countries/Regions: South Carolina, specifically Charleston and surrounding waterways.
- Design/Style: The engraving is notable for its detailed illustration of fortifications and urban planning, with a simple yet effective layout.
- Historical Significance: Captures a key moment in the American Revolutionary War, highlighting the strategic importance of Charleston.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 70in (180cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 16x20in (40x50cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.

