Variegated Camellia (Camellia japonica, Plate 18) by Pierre Joseph Redouté, 1827
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata nel nostro laboratorio di Londra dall’opera originale del 1827 e stampata in qualità museale. Descrizione completa
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Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
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Restaurato a Londra • Stampato e incorniciato nell’UE
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata dall’opera originale del 1827 e stampata in qualità museale. Descrizione completa
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Pierre-Joseph Redouté’s Choix des plus belles fleurs pl 018, created in 1827, presents the camellia labelled “Camellia panach” as a poised arrangement...
Continua a leggerePierre-Joseph Redouté’s Choix des plus belles fleurs pl 018, created in 1827, presents the camellia labelled “Camellia panach” as a poised arrangement of two open blooms and deep green foliage. The larger flower occupies the centre, its densely overlapping petals shifting from saturated rose pink to creamy white near the heart; above and to the right, a second blossom opens more freely around a cluster of yellow stamens. Set against an expansive pale ground, the branch appears both botanically tangible and carefully composed.
The plate belongs to Redouté’s Choix des plus belles fleurs, a publication devoted to flowers selected as much for their visual distinction as for their botanical interest. Redouté was among the foremost floral illustrators of the late eighteenth and early nineteenth centuries, admired for reconciling close observation with the elegance expected of a deluxe botanical book. His career developed within the cultivated world of French court and garden culture, where rare and ornamental plants were subjects of scientific study, collecting and aesthetic pleasure. Here, the camellia becomes a specimen to examine and an image to contemplate.
A closer look
The composition is subtly asymmetrical. The principal bloom faces outward near the centre, while the smaller flower rises diagonally towards the upper right. Leaves extend in the opposite direction, creating a broad, stabilising fan of green along the left side. A slender stem remains visible below, its gentle bends linking each element without disturbing the generous negative space around it. This restrained structure gives the plant the clarity of a botanical study while avoiding the stiffness of a diagram.
Redouté builds the larger camellia through minute tonal transitions. Pale highlights trace the curved edges of individual petals, while deeper pinks gather where the layers overlap, allowing a complex flower to remain legible. The upper bloom offers a useful contrast: its looser petals expose more of the yellow centre and reveal a different stage or angle of opening. Across both flowers, small variations of blush, crimson pink and warm white prevent the colour from appearing uniform.
The foliage provides the darkest notes. Elongated leaves overlap one another in rich greens, their central veins and finer branching structures precisely articulated. Subtle highlights suggest their glossy surfaces, and a single water droplet resting on one leaf introduces an especially fine naturalistic detail. At the lower edge, the airy plant study is anchored by elegant script: “Camellia panach” appears to the left, while “Camellia japonica. Langlois.” is written at the right. The delicacy of the lettering complements the smooth contours of stem and petal.
Context and significance
Botanical illustration in Redouté’s period occupied a fertile space between science and decoration. Such images recorded defining structures—leaf shape, venation, flower form and reproductive details—but they also transformed individual specimens into balanced page designs. Redouté’s particular distinction lay in preserving both aspects. The camellia is isolated for scrutiny, yet its diagonal growth, alternating masses and controlled colour make the plate feel deliberately graceful rather than merely instructional.
This study also reflects the early nineteenth century’s fascination with natural history and lavishly illustrated flower books. Its appeal rests in the tension between abundance and restraint: the blossoms are luxuriant, almost architectural in their many petal layers, while the surrounding field remains quiet and uncluttered. That contrast allows close observation to unfold slowly—from the broad pink-and-green silhouette to the smallest veins, highlights and droplets.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Pierre-Joseph Redouté’s Choix des plus belles fleurs pl 018, created in 1827, presents the camellia labelled “Camellia panach” as a poised arrangement of two open blooms and deep green foliage. The larger flower occupies the centre, its densely overlapping petals shifting from saturated rose pink to creamy white near the heart; above and to the right, a second blossom opens more freely around a cluster of yellow stamens. Set against an expansive pale ground, the branch appears both botanically tangible and carefully composed.
The plate belongs to Redouté’s Choix des plus belles fleurs, a publication devoted to flowers selected as much for their visual distinction as for their botanical interest. Redouté was among the foremost floral illustrators of the late eighteenth and early nineteenth centuries, admired for reconciling close observation with the elegance expected of a deluxe botanical book. His career developed within the cultivated world of French court and garden culture, where rare and ornamental plants were subjects of scientific study, collecting and aesthetic pleasure. Here, the camellia becomes a specimen to examine and an image to contemplate.
A closer look
The composition is subtly asymmetrical. The principal bloom faces outward near the centre, while the smaller flower rises diagonally towards the upper right. Leaves extend in the opposite direction, creating a broad, stabilising fan of green along the left side. A slender stem remains visible below, its gentle bends linking each element without disturbing the generous negative space around it. This restrained structure gives the plant the clarity of a botanical study while avoiding the stiffness of a diagram.
Redouté builds the larger camellia through minute tonal transitions. Pale highlights trace the curved edges of individual petals, while deeper pinks gather where the layers overlap, allowing a complex flower to remain legible. The upper bloom offers a useful contrast: its looser petals expose more of the yellow centre and reveal a different stage or angle of opening. Across both flowers, small variations of blush, crimson pink and warm white prevent the colour from appearing uniform.
The foliage provides the darkest notes. Elongated leaves overlap one another in rich greens, their central veins and finer branching structures precisely articulated. Subtle highlights suggest their glossy surfaces, and a single water droplet resting on one leaf introduces an especially fine naturalistic detail. At the lower edge, the airy plant study is anchored by elegant script: “Camellia panach” appears to the left, while “Camellia japonica. Langlois.” is written at the right. The delicacy of the lettering complements the smooth contours of stem and petal.
Context and significance
Botanical illustration in Redouté’s period occupied a fertile space between science and decoration. Such images recorded defining structures—leaf shape, venation, flower form and reproductive details—but they also transformed individual specimens into balanced page designs. Redouté’s particular distinction lay in preserving both aspects. The camellia is isolated for scrutiny, yet its diagonal growth, alternating masses and controlled colour make the plate feel deliberately graceful rather than merely instructional.
This study also reflects the early nineteenth century’s fascination with natural history and lavishly illustrated flower books. Its appeal rests in the tension between abundance and restraint: the blossoms are luxuriant, almost architectural in their many petal layers, while the surrounding field remains quiet and uncluttered. That contrast allows close observation to unfold slowly—from the broad pink-and-green silhouette to the smallest veins, highlights and droplets.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.
Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.
- Possiamo consegnare direttamente al destinatario
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Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.
Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.
- Dimensioni precise, extra-large e su misura
- Incorniciatura personalizzata, montaggio e materiali alternativi
- Pezzi coordinati per più stanze o sedi
- Personalizzazione dell'opera, per regolarne il colore e lo stile
- Consulenza su arte e incorniciatura da parte del nostro laboratorio
- Produzione locale per progetti in tutto il mondo
Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.
Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.
Non utilizziamo l’IA generativa per ridisegnare, reinterpretare o inventare l’opera. Il restauro digitale viene impiegato solo per recuperare e riprodurre l’opera originale nel modo più fedele possibile.
Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.
Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.
Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
