Rhodes Travel Poster, 1935

4.9 (84 recensioni)
Stampato e incorniciato nell’UE
Consegna gratuita in 2–3 giorni
Resi entro 90 giorni · Garanzia di 10 anni
4.8/5 Eccellente
Opera dell’artista originale Mai generata dall’IA
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Restaurata nel nostro laboratorio dall’opera originale del 1935 e stampata in qualità museale. Descrizione completa
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Rhodes, a travel poster dating from 1935, transforms the Aegean island into a bright, animated map of pleasures and discoveries. Rather than...

Rhodes, a travel poster dating from 1935, transforms the Aegean island into a bright, animated map of pleasures and discoveries. Rather than presenting a single panoramic view, the design gathers harbours, beaches, historic buildings and miniature scenes of leisure across an elongated island landscape. Deep sea blue surrounds vivid greens and sunlit yellows, while the name “RHODES” appears in bold lettering on a ribbon near the upper centre. The result is both map and invitation: geographical description reshaped into a playful itinerary.

Created during the interwar expansion of Mediterranean tourism, the poster belongs to an era in which graphic advertising helped make distant destinations newly imaginable. Travel posters were displayed not simply to document places but to define their appeal at a glance, often compressing scenery, climate, history and recreation into a single persuasive composition. Rhodes offered particularly rich material. Its maritime position, ancient associations, historic architecture and beaches allowed designers to present the island as both culturally resonant and thoroughly modern as a holiday destination.

A closer look

The island rises through the vertical composition as an irregular green form encircled by blue water. Scenes are distributed asymmetrically along its coastline, encouraging the eye to travel from one vignette to the next rather than settle on a conventional horizon. At the left edge, a busy harbour contains several differently shaped boats and ships, introducing the maritime routes by which many visitors would have approached Rhodes. Faint hills towards the upper left extend the sense of distance beyond the island itself.

Across the central and lower areas, tiny figures turn the map into a lively social world. Some gather around decorated stalls and festival banners; others explore architectural sites or relax near the shore. Beachgoers recline and play at the bottom of the design, while palms and other Mediterranean vegetation punctuate the coast. These details create shifts of scale: buildings become landmarks, people become emblems of activity, and the whole island reads as a compact sequence of experiences.

Above these scenes, a radiant deity-like figure presides over the composition, its emanating rays reinforcing the promise of warmth and clear weather. Patterned clothing and decorative contours give this figure an ornamental richness that contrasts with the simplified terrain below. Throughout, clean outlines and broad, flat passages of colour keep even the smallest episodes legible. Orange, red and white accents animate the dominant blue, green and yellow palette, while a narrow beige border neatly contains the abundance of incident.

Context and significance

In 1935 Rhodes formed part of the Italian-administered Dodecanese, a political context that underlay its promotion to international travellers during the interwar period. The island would become part of Greece after the Second World War. Without stating this history directly, the poster presents Rhodes through the cosmopolitan visual language of contemporary tourism: accessible by ship, abundant in antiquities and scenery, and organised for modern recreation.

What distinguishes the design is its refusal to choose between cartography and fantasy. The outline of the island provides an organising framework, yet its interior is filled with selective attractions rather than systematic geography. Rhodes becomes a miniature stage upon which archaeology, seafaring, festivals and seaside leisure coexist. That density rewards close inspection, but the poster’s larger message remains immediate: an island of sunlight, movement and varied experience, rendered with the clarity and buoyancy of 1930s promotional design.

Choosing the right size and finish

Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.

If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.

The model in the listing images is holding the 18x24in (45x60cm) version of this art print.

Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.

Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.

Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.

Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.

Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.

This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.

Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.

Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.

Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.

  • Possiamo consegnare direttamente al destinatario
  • I pezzi incorniciati arrivano pronti da appendere
  • Le stampe non incorniciate sono accuratamente imballate in un robusto tubo protettivo
  • Quasi ogni ordine viene realizzato localmente, per regali più rapidi e sicuri
  • Il reso entro 90 giorni dà al destinatario il tempo di decidere

Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.

Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.

We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.

Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.

Very large framed orders can take a little longer, as they need extra care in production and delivery.

Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.

If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.

Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.

Your order is covered by our 90-day returns policy and 10-year guarantee.

Read our full delivery and local production guide

Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.

We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.

Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.

Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.

All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.

We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.

If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.

Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.

Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.

  • Dimensioni precise, extra-large e su misura
  • Incorniciatura personalizzata, montaggio e materiali alternativi
  • Pezzi coordinati per più stanze o sedi
  • Personalizzazione dell'opera, per regolarne il colore e lo stile
  • Consulenza su arte e incorniciatura da parte del nostro laboratorio
  • Produzione locale per progetti in tutto il mondo

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Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.

Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.

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Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.

Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.

Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.

Scopri di più su The Unique Maps Co.

Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.

Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.

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