Mohawk Valley Travel Poster: Westward Bound by Walter L. Greene, 1920
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Consegna natalizia & regali
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Aggiungi un messaggio regalo al carrello, quindi inserisci l’indirizzo di consegna del destinatario al checkout. Stamperemo il tuo messaggio su un biglietto. Nel pacco non sono inclusi prezzi.
Tempi di consegna
La consegna standard è gratuita in tutto il mondo e richiede solitamente circa 3 giorni lavorativi. Vuoi inviare un regalo all’estero? Realizziamo la maggior parte degli ordini localmente, nel paese del destinatario.
Per gli ordini personalizzati, prevedi tempi aggiuntivi per la progettazione e l’approvazione della bozza. Consulta i dettagli di consegna.
Resi: Gli ordini standard possono essere restituiti o cambiati entro 90 giorni dalla consegna. Gli articoli personalizzati e realizzati su misura sono generalmente esclusi dai resi per ripensamento. Consulta la nostra politica sui resi.
L’offerta del collezionista
Scegli due opere idonee e ricevi il 25% di sconto su entrambe. Puoi abbinare liberamente mappe e opere d’arte.
Non è richiesto alcun codice. L’offerta viene applicata automaticamente.
Termini e condizioni completi
L’offerta del collezionista si applica alle opere idonee nelle configurazioni standard realizzate su ordinazione. Sono esclusi i formati su misura, i design personalizzati e i lavori su commissione. I prodotti con “personalised” o “custom” nel nome sono generalmente esclusi.
L’offerta è gestita come due sconti automatici separati: uno per i formati più piccoli e uno per i formati più grandi. Per averne diritto, è necessario acquistare due opere idonee all’interno dello stesso gruppo di formato. Mappe e stampe d’arte possono essere abbinate liberamente all’interno di ciascun gruppo.
Ad esempio, due stampe idonee in formato A4 o 8 × 10 in danno diritto al 25% di sconto su entrambe. Una stampa di formato più piccolo e un’opera di formato più grande non danno diritto allo sconto se acquistate insieme, poiché gli articoli di gruppi di formato diversi non possono essere combinati per soddisfare il requisito dei due articoli.
Non è richiesto alcun codice sconto. Qualsiasi sconto idoneo viene applicato automaticamente nel carrello e al momento del pagamento.
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Scegli la finitura
(Maggiori informazioni)
Gift message & custom finish
If you want to add a gift message, or a finish (jigsaw, aluminium board, etc.) that is not available here, please request it in the "order note" when you check out.
Every order is custom made, so if you need the size adjusted slightly, or printed on an unusual material, just let us know. We've done thousands of custom orders over the years, so there's (almost) nothing we can't manage.
You can also contact us before you order, if you prefer!
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Invialo direttamente al destinatario
Aggiungi un messaggio regalo al carrello, quindi inserisci l’indirizzo di consegna del destinatario al checkout. Stamperemo il tuo messaggio su un biglietto. Nel pacco non sono inclusi prezzi.
Tempi di consegna
La consegna standard è gratuita in tutto il mondo e richiede solitamente circa 3 giorni lavorativi. Vuoi inviare un regalo all’estero? Realizziamo la maggior parte degli ordini localmente, nel paese del destinatario.
Per gli ordini personalizzati, prevedi tempi aggiuntivi per la progettazione e l’approvazione della bozza. Consulta i dettagli di consegna.
Resi: Gli ordini standard possono essere restituiti o cambiati entro 90 giorni dalla consegna. Gli articoli personalizzati e realizzati su misura sono generalmente esclusi dai resi per ripensamento. Consulta la nostra politica sui resi.
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Walter L. Greene’s 1920 poster Westward Bound, in the Mohawk Valley: The Twentieth Century Limited, New York Central Lines sets a powerful...
Continua a leggereWalter L. Greene’s 1920 poster Westward Bound, in the Mohawk Valley: The Twentieth Century Limited, New York Central Lines sets a powerful steam locomotive against the sweeping geography of upstate New York. Entering from the lower left, the engine appears close enough for its rivets, panelling and rounded boiler to register clearly, while the railway, river and distant hills carry the eye westwards. Greene balances mechanical weight with landscape spaciousness: warm rock and autumnal vegetation surround the dark locomotive, while cooler blue-green water and mountains open beyond it.
Greene was an American artist particularly associated with railway and industrial subjects, making him a natural choice for the visual culture of the New York Central Lines. The Twentieth Century Limited was the company’s celebrated express service between New York and Chicago, and posters such as this presented rail travel as both an efficient modern system and an encounter with a varied national landscape. The Mohawk Valley was especially apt for that message. Its river corridor provided a natural route west through New York State, long serving as an important passage for movement, settlement and commerce.
A closer look
The locomotive dominates the lower-left quarter without overwhelming the scene. Highlights catch its cylindrical front and metal fittings, separating the machinery from the surrounding browns, ochres and deep greens. Steam rises from the stack and softens the boundary between engine and landscape, while the train’s forward angle supplies much of the poster’s momentum. Rather than relying on blur or exaggerated distortion, Greene suggests speed through the thrust of the composition itself: the engine advances into a view that seems to unfold alongside it.
To the right, the river forms a broad, cool-toned counterweight. Its surface carries muted reflections of the sky and neighbouring terrain, with fine ripples introducing a quieter kind of movement. Rocky outcrops and sparse yellowish foliage anchor the immediate foreground; beyond them, tree-covered slopes shift gradually from green to blue. The most distant ridges are reduced to softened silhouettes, creating atmospheric depth and making the locomotive’s crisp detail feel still more emphatic.
The lettering is gathered beneath the landscape on a pale panel, establishing a clear graphic hierarchy. “WESTWARD BOUND, IN THE MOHAWK VALLEY” announces the direction and setting in bold capitals, followed by the more specific identities of “The Twentieth Century Limited” and “NEW YORK CENTRAL LINES”. This progression—from evocative journey to named train and railway company—is characteristic of persuasive travel design: the landscape supplies desire, while the typography supplies the means of reaching it. A slender golden border contains the composition, and Greene’s name appears discreetly at the lower right.
Context and significance
By 1920, the railway poster had become a particularly effective meeting point between commercial design and landscape imagery. Rail companies did not merely advertise schedules; they shaped public ideas about distance, comfort and regional identity. Here, the Mohawk Valley is not presented as scenery detached from modern life. Railway and river share the same corridor, while the locomotive appears as a commanding yet integrated element within the terrain.
The poster’s appeal lies in this union of precision and romance. Greene gives the engine enough structural detail to convey engineering authority, but places it within a panoramic landscape of seasonal colour, reflective water and receding hills. The result is both a persuasive advertisement and a carefully constructed portrait of westward travel at a moment when the steam railway embodied modern American mobility.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 16x20in (40x50cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Walter L. Greene’s 1920 poster Westward Bound, in the Mohawk Valley: The Twentieth Century Limited, New York Central Lines sets a powerful steam locomotive against the sweeping geography of upstate New York. Entering from the lower left, the engine appears close enough for its rivets, panelling and rounded boiler to register clearly, while the railway, river and distant hills carry the eye westwards. Greene balances mechanical weight with landscape spaciousness: warm rock and autumnal vegetation surround the dark locomotive, while cooler blue-green water and mountains open beyond it.
Greene was an American artist particularly associated with railway and industrial subjects, making him a natural choice for the visual culture of the New York Central Lines. The Twentieth Century Limited was the company’s celebrated express service between New York and Chicago, and posters such as this presented rail travel as both an efficient modern system and an encounter with a varied national landscape. The Mohawk Valley was especially apt for that message. Its river corridor provided a natural route west through New York State, long serving as an important passage for movement, settlement and commerce.
A closer look
The locomotive dominates the lower-left quarter without overwhelming the scene. Highlights catch its cylindrical front and metal fittings, separating the machinery from the surrounding browns, ochres and deep greens. Steam rises from the stack and softens the boundary between engine and landscape, while the train’s forward angle supplies much of the poster’s momentum. Rather than relying on blur or exaggerated distortion, Greene suggests speed through the thrust of the composition itself: the engine advances into a view that seems to unfold alongside it.
To the right, the river forms a broad, cool-toned counterweight. Its surface carries muted reflections of the sky and neighbouring terrain, with fine ripples introducing a quieter kind of movement. Rocky outcrops and sparse yellowish foliage anchor the immediate foreground; beyond them, tree-covered slopes shift gradually from green to blue. The most distant ridges are reduced to softened silhouettes, creating atmospheric depth and making the locomotive’s crisp detail feel still more emphatic.
The lettering is gathered beneath the landscape on a pale panel, establishing a clear graphic hierarchy. “WESTWARD BOUND, IN THE MOHAWK VALLEY” announces the direction and setting in bold capitals, followed by the more specific identities of “The Twentieth Century Limited” and “NEW YORK CENTRAL LINES”. This progression—from evocative journey to named train and railway company—is characteristic of persuasive travel design: the landscape supplies desire, while the typography supplies the means of reaching it. A slender golden border contains the composition, and Greene’s name appears discreetly at the lower right.
Context and significance
By 1920, the railway poster had become a particularly effective meeting point between commercial design and landscape imagery. Rail companies did not merely advertise schedules; they shaped public ideas about distance, comfort and regional identity. Here, the Mohawk Valley is not presented as scenery detached from modern life. Railway and river share the same corridor, while the locomotive appears as a commanding yet integrated element within the terrain.
The poster’s appeal lies in this union of precision and romance. Greene gives the engine enough structural detail to convey engineering authority, but places it within a panoramic landscape of seasonal colour, reflective water and receding hills. The result is both a persuasive advertisement and a carefully constructed portrait of westward travel at a moment when the steam railway embodied modern American mobility.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 16x20in (40x50cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.
Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.
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- I pezzi incorniciati arrivano pronti da appendere
- Le stampe non incorniciate sono accuratamente imballate in un robusto tubo protettivo
- Quasi ogni ordine viene realizzato localmente, per regali più rapidi e sicuri
- Il reso entro 90 giorni dà al destinatario il tempo di decidere
Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.
Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.
- Dimensioni precise, extra-large e su misura
- Incorniciatura personalizzata, montaggio e materiali alternativi
- Pezzi coordinati per più stanze o sedi
- Personalizzazione dell'opera, per regolarne il colore e lo stile
- Consulenza su arte e incorniciatura da parte del nostro laboratorio
- Produzione locale per progetti in tutto il mondo
Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.
Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.
Non utilizziamo l’IA generativa per ridisegnare, reinterpretare o inventare l’opera. Il restauro digitale viene impiegato solo per recuperare e riprodurre l’opera originale nel modo più fedele possibile.
Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.
Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.
Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
