Children with a Goat in the Woods by August Macke, 1912
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata nel nostro laboratorio di Londra dall’opera originale del 1912 e stampata in qualità museale. Descrizione completa
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Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
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Restaurato a Londra • Stampato e incorniciato nell’UE
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata dall’opera originale del 1912 e stampata in qualità museale. Descrizione completa
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If you want to add a gift message, or a finish (jigsaw, aluminium board, etc.) that is not available here, please request it in the "order note" when you check out.
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August Macke’s Kinder mit Ziege im Wald (1912)—“Children with a Goat in the Woods”—turns a modest woodland encounter into a dense orchestration...
Continua a leggereAugust Macke’s Kinder mit Ziege im Wald (1912)—“Children with a Goat in the Woods”—turns a modest woodland encounter into a dense orchestration of colour. Two children gather around a white goat amid trees and undergrowth: one bends towards the animal in a red jacket and broad orange hat, while a standing figure in deep blue forms a cool vertical accent. Around them, greens, browns and flashes of red break the forest into interlocking patches, so that figures, animal and foliage appear woven into the same animated surface.
Painted during Macke’s association with Der Blaue Reiter, the Munich-based group that became a defining force in German Expressionism, the work belongs to a period of rapid experimentation in European art. Macke shared the group’s interest in heightened colour and simplified form, yet his paintings often remained closely connected to ordinary life: gardens, promenades, shops and figures absorbed in quiet activity. Here, the children’s gentle attention to the goat provides an intimate human centre, while strict naturalism gives way to a more rhythmic construction of the surrounding landscape.
A closer look
The composition is held together by a series of strong verticals. At the upper left, a substantial brown tree trunk rises into a layered canopy, echoed by slimmer trunks and upright shapes further back. Against these darker woodland elements, the goat’s pale body becomes a conspicuous point of light. Its softly handled white coat stands apart from the more saturated clothing and vegetation without disrupting the harmony of the scene.
Colour directs the eye as decisively as outline. The kneeling child’s red jacket makes a concentrated warm note near the centre, intensified by the orange brim and yellow band of the hat. Beside it, the blue garment of the standing child supplies a cooler, weightier block. These colours are not confined by conventional modelling; instead, they participate in a broader patchwork of emerald, blue-green, ochre and earthy brown. Small red accents among the trees punctuate the foliage, reading as glints of light, flowers or fruit without becoming fully descriptive.
The woodland grows less literal towards the background. Leaves and branches dissolve into abbreviated marks and swirling areas of colour, creating depth through overlap and tonal contrast rather than exact botanical detail. Brighter passages suggest light filtering through the canopy, while deeper greens and blues establish pockets of shade. The result is a space that feels enclosed but not static: the eye moves between the children, the goat and the repeated rhythms of trunks and foliage.
Context and significance
Der Blaue Reiter brought together artists who regarded colour as an expressive force rather than merely a means of copying appearances. Macke’s contribution to that wider development was distinctive. Compared with the more spiritual abstraction pursued by some of his contemporaries, he frequently found his subjects in recognisable, everyday encounters, using modern colour and compressed form to renew familiar scenes. Kinder mit Ziege im Wald demonstrates that balance particularly clearly: its subject remains tender and legible, but its visual energy comes from the autonomous life of reds, blues and greens.
The painting’s appeal lies in this union of intimacy and formal boldness. A child’s gesture towards an animal supplies the quiet narrative, yet the forest is equally active—a shifting mosaic in which light, clothing, bark and leaves continually answer one another. Macke makes the woodland less a backdrop than a living structure around the figures, giving a fleeting episode the coherence and vitality of a carefully composed colour harmony.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
August Macke’s Kinder mit Ziege im Wald (1912)—“Children with a Goat in the Woods”—turns a modest woodland encounter into a dense orchestration of colour. Two children gather around a white goat amid trees and undergrowth: one bends towards the animal in a red jacket and broad orange hat, while a standing figure in deep blue forms a cool vertical accent. Around them, greens, browns and flashes of red break the forest into interlocking patches, so that figures, animal and foliage appear woven into the same animated surface.
Painted during Macke’s association with Der Blaue Reiter, the Munich-based group that became a defining force in German Expressionism, the work belongs to a period of rapid experimentation in European art. Macke shared the group’s interest in heightened colour and simplified form, yet his paintings often remained closely connected to ordinary life: gardens, promenades, shops and figures absorbed in quiet activity. Here, the children’s gentle attention to the goat provides an intimate human centre, while strict naturalism gives way to a more rhythmic construction of the surrounding landscape.
A closer look
The composition is held together by a series of strong verticals. At the upper left, a substantial brown tree trunk rises into a layered canopy, echoed by slimmer trunks and upright shapes further back. Against these darker woodland elements, the goat’s pale body becomes a conspicuous point of light. Its softly handled white coat stands apart from the more saturated clothing and vegetation without disrupting the harmony of the scene.
Colour directs the eye as decisively as outline. The kneeling child’s red jacket makes a concentrated warm note near the centre, intensified by the orange brim and yellow band of the hat. Beside it, the blue garment of the standing child supplies a cooler, weightier block. These colours are not confined by conventional modelling; instead, they participate in a broader patchwork of emerald, blue-green, ochre and earthy brown. Small red accents among the trees punctuate the foliage, reading as glints of light, flowers or fruit without becoming fully descriptive.
The woodland grows less literal towards the background. Leaves and branches dissolve into abbreviated marks and swirling areas of colour, creating depth through overlap and tonal contrast rather than exact botanical detail. Brighter passages suggest light filtering through the canopy, while deeper greens and blues establish pockets of shade. The result is a space that feels enclosed but not static: the eye moves between the children, the goat and the repeated rhythms of trunks and foliage.
Context and significance
Der Blaue Reiter brought together artists who regarded colour as an expressive force rather than merely a means of copying appearances. Macke’s contribution to that wider development was distinctive. Compared with the more spiritual abstraction pursued by some of his contemporaries, he frequently found his subjects in recognisable, everyday encounters, using modern colour and compressed form to renew familiar scenes. Kinder mit Ziege im Wald demonstrates that balance particularly clearly: its subject remains tender and legible, but its visual energy comes from the autonomous life of reds, blues and greens.
The painting’s appeal lies in this union of intimacy and formal boldness. A child’s gesture towards an animal supplies the quiet narrative, yet the forest is equally active—a shifting mosaic in which light, clothing, bark and leaves continually answer one another. Macke makes the woodland less a backdrop than a living structure around the figures, giving a fleeting episode the coherence and vitality of a carefully composed colour harmony.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.
Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.
- Possiamo consegnare direttamente al destinatario
- I pezzi incorniciati arrivano pronti da appendere
- Le stampe non incorniciate sono accuratamente imballate in un robusto tubo protettivo
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- Il reso entro 90 giorni dà al destinatario il tempo di decidere
Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.
Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.
- Dimensioni precise, extra-large e su misura
- Incorniciatura personalizzata, montaggio e materiali alternativi
- Pezzi coordinati per più stanze o sedi
- Personalizzazione dell'opera, per regolarne il colore e lo stile
- Consulenza su arte e incorniciatura da parte del nostro laboratorio
- Produzione locale per progetti in tutto il mondo
Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.
Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.
Non utilizziamo l’IA generativa per ridisegnare, reinterpretare o inventare l’opera. Il restauro digitale viene impiegato solo per recuperare e riprodurre l’opera originale nel modo più fedele possibile.
Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.
Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.
Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
