Cacao Lhara Vintage Cocoa Poster by Jules Chéret, 1889
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata nel nostro laboratorio di Londra dall’opera originale del 1889 e stampata in qualità museale. Descrizione completa
L’offerta del Collezionista
Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
Hai bisogno di consegne a indirizzi diversi? Contattaci prima di effettuare l’ordine.L’offerta del Collezionista
Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
Hai bisogno di consegne a indirizzi diversi? Contattaci prima di effettuare l’ordine.
Restaurato a Londra • Stampato e incorniciato nell’UE
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata dall’opera originale del 1889 e stampata in qualità museale. Descrizione completa
Scegli il formato
Scegli la finitura
(Maggiori informazioni)
Gift message & custom finish
If you want to add a gift message, or a finish (jigsaw, aluminium board, etc.) that is not available here, please request it in the "order note" when you check out.
Every order is custom made, so if you need the size adjusted slightly, or printed on an unusual material, just let us know. We've done thousands of custom orders over the years, so there's (almost) nothing we can't manage.
You can also contact us before you order, if you prefer!
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Jules Chéret’s Cacao Lhara turns a beverage advertisement into a burst of late nineteenth-century spectacle. A smiling woman, caught in a buoyant...
Continua a leggereJules Chéret’s Cacao Lhara turns a beverage advertisement into a burst of late nineteenth-century spectacle. A smiling woman, caught in a buoyant off-centre pose, raises a glass amid sweeping passages of yellow, red and blue. Above her, the product name arcs across the composition in large decorative lettering; below, the emphatic name of F. Mugnier anchors the design. Figure, colour and typography appear to move together, giving the poster the immediacy needed to command attention on a crowded street or in a shop window.
Created for a cocoa product associated with F. Mugnier, a distiller in Dijon, the commercial lithograph belongs to the flourishing advertising culture of the Belle Époque. Chéret is often described as the father of the modern poster because he helped establish it as a vivid urban art form rather than a notice dominated by text. Here, the claim to a gold medal at the 1889 Exposition Universelle lends the product the authority of international exhibition culture, while the animated figure supplies pleasure, sociability and modern metropolitan energy.
A closer look
The woman is the composition’s principal point of focus, yet she is positioned just away from the central axis, creating a lively imbalance. Her open smile and raised glass make the sales message instantly legible without reducing the design to a literal product display. Flowing contours run through her clothing, while subtle shadows describe the turn of the fabric and the movement of the figure. Floral details on the dress offer a more intricate counterpoint to the poster’s broad, flat areas of colour.
Warm yellow and red dominate, bringing the figure forward against quieter passages of blue, green and brown. Chéret uses tonal variation sparingly: highlights strike the woman’s skin, dress and glass, while the surrounding field remains comparatively simplified. The result retains the relative flatness essential to poster design but avoids visual stiffness. Swathes of colour seem to circulate around the figure, acting less like a conventional setting than an atmospheric stage for gesture and lettering.
The typography is organised as part of the action. “Cacao Lhara” occupies the upper register in bold ornamental forms, establishing the product before the eye descends to the figure. “F. Mugnier” appears strongly across the lower section, followed by “Distillateur à Dijon” and the medal claim in smaller lettering. This hierarchy allows the poster to be understood at different distances: first as a brilliant arrangement of figure and colour, then as a sequence of commercial information. Even the smaller decorative motifs around the upper area help bind the text to the illustration.
Context and significance
Chéret’s posters helped transform the streets of late nineteenth-century France into open-air galleries of colour. His designs frequently centred on exuberant female figures—sometimes known collectively as “Chérettes”—whose dancing poses and fashionable vivacity became closely associated with Parisian poster culture. In Cacao Lhara, that approach is adapted to the promotion of a beverage: the woman does not merely accompany the wording but gives the brand its character, embodying gaiety and ease.
The reference to the 1889 Exposition Universelle is equally revealing. Medals awarded at international exhibitions became potent advertising devices, suggesting that a commodity had received public recognition within a culture fascinated by industry, novelty and display. Chéret integrates that claim into a design that remains celebratory rather than bureaucratic. The enduring interest of Cacao Lhara lies in this balance: persuasive branding is present throughout, yet it is carried by inventive colour, rhythmic lettering and a figure whose energy still exceeds the practical demands of the advertisement.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the undefined version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Jules Chéret’s Cacao Lhara turns a beverage advertisement into a burst of late nineteenth-century spectacle. A smiling woman, caught in a buoyant off-centre pose, raises a glass amid sweeping passages of yellow, red and blue. Above her, the product name arcs across the composition in large decorative lettering; below, the emphatic name of F. Mugnier anchors the design. Figure, colour and typography appear to move together, giving the poster the immediacy needed to command attention on a crowded street or in a shop window.
Created for a cocoa product associated with F. Mugnier, a distiller in Dijon, the commercial lithograph belongs to the flourishing advertising culture of the Belle Époque. Chéret is often described as the father of the modern poster because he helped establish it as a vivid urban art form rather than a notice dominated by text. Here, the claim to a gold medal at the 1889 Exposition Universelle lends the product the authority of international exhibition culture, while the animated figure supplies pleasure, sociability and modern metropolitan energy.
A closer look
The woman is the composition’s principal point of focus, yet she is positioned just away from the central axis, creating a lively imbalance. Her open smile and raised glass make the sales message instantly legible without reducing the design to a literal product display. Flowing contours run through her clothing, while subtle shadows describe the turn of the fabric and the movement of the figure. Floral details on the dress offer a more intricate counterpoint to the poster’s broad, flat areas of colour.
Warm yellow and red dominate, bringing the figure forward against quieter passages of blue, green and brown. Chéret uses tonal variation sparingly: highlights strike the woman’s skin, dress and glass, while the surrounding field remains comparatively simplified. The result retains the relative flatness essential to poster design but avoids visual stiffness. Swathes of colour seem to circulate around the figure, acting less like a conventional setting than an atmospheric stage for gesture and lettering.
The typography is organised as part of the action. “Cacao Lhara” occupies the upper register in bold ornamental forms, establishing the product before the eye descends to the figure. “F. Mugnier” appears strongly across the lower section, followed by “Distillateur à Dijon” and the medal claim in smaller lettering. This hierarchy allows the poster to be understood at different distances: first as a brilliant arrangement of figure and colour, then as a sequence of commercial information. Even the smaller decorative motifs around the upper area help bind the text to the illustration.
Context and significance
Chéret’s posters helped transform the streets of late nineteenth-century France into open-air galleries of colour. His designs frequently centred on exuberant female figures—sometimes known collectively as “Chérettes”—whose dancing poses and fashionable vivacity became closely associated with Parisian poster culture. In Cacao Lhara, that approach is adapted to the promotion of a beverage: the woman does not merely accompany the wording but gives the brand its character, embodying gaiety and ease.
The reference to the 1889 Exposition Universelle is equally revealing. Medals awarded at international exhibitions became potent advertising devices, suggesting that a commodity had received public recognition within a culture fascinated by industry, novelty and display. Chéret integrates that claim into a design that remains celebratory rather than bureaucratic. The enduring interest of Cacao Lhara lies in this balance: persuasive branding is present throughout, yet it is carried by inventive colour, rhythmic lettering and a figure whose energy still exceeds the practical demands of the advertisement.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the undefined version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.
Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.
- Possiamo consegnare direttamente al destinatario
- I pezzi incorniciati arrivano pronti da appendere
- Le stampe non incorniciate sono accuratamente imballate in un robusto tubo protettivo
- Quasi ogni ordine viene realizzato localmente, per regali più rapidi e sicuri
- Il reso entro 90 giorni dà al destinatario il tempo di decidere
Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.
Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.
- Dimensioni precise, extra-large e su misura
- Incorniciatura personalizzata, montaggio e materiali alternativi
- Pezzi coordinati per più stanze o sedi
- Personalizzazione dell'opera, per regolarne il colore e lo stile
- Consulenza su arte e incorniciatura da parte del nostro laboratorio
- Produzione locale per progetti in tutto il mondo
Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.
Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.
Non utilizziamo l’IA generativa per ridisegnare, reinterpretare o inventare l’opera. Il restauro digitale viene impiegato solo per recuperare e riprodurre l’opera originale nel modo più fedele possibile.
Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.
Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.
Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
