Fledermaus Wine Restaurant Vintage Wine Poster by Fritz Rumpf, 1910
Obra de arte auténtica
La obra de arte que imprimimos se restaura fielmente a partir de la fuente original, normalmente un museo, biblioteca o colección privada. Nunca sustituimos, redibujamos ni inventamos la obra del artista utilizando IA generativa.
Restaurada en nuestro taller de Londres a partir de la obra original de 1910 e impresa en calidad museo. Descripción completa
La oferta del coleccionista
Elija dos obras elegibles y obtenga un 20 % de descuento en ambas. Elija tres y la de menor precio será gratuita, con un ahorro máximo del 33 %.
Combine y mezcle mapas estándar elegibles y reproducciones de bellas artes. No se requiere código; la oferta se aplica automáticamente al finalizar la compra.
Se incluyen las configuraciones estándar hechas por encargo. Quedan excluidos los tamaños a medida, los diseños personalizados y los trabajos por encargo.
¿Necesita entrega en diferentes direcciones? Contáctenos antes de realizar el pedido.La oferta del coleccionista
Elija dos obras elegibles y obtenga un 20 % de descuento en ambas. Elija tres y la de menor precio será gratuita, con un ahorro máximo del 33 %.
Combine y mezcle mapas estándar elegibles y reproducciones de bellas artes. No se requiere código; la oferta se aplica automáticamente al finalizar la compra.
Se incluyen las configuraciones estándar hechas por encargo. Quedan excluidos los tamaños a medida, los diseños personalizados y los trabajos por encargo.
¿Necesita entrega en diferentes direcciones? Contáctenos antes de realizar el pedido.
Restaurado en Londres • Impreso y enmarcado en la UE
Obra de arte auténtica
La obra de arte que imprimimos se restaura fielmente a partir de la fuente original, normalmente un museo, biblioteca o colección privada. Nunca sustituimos, redibujamos ni inventamos la obra del artista utilizando IA generativa.
Restaurado a partir de la obra original de 1910 e impreso en calidad museo. Descripción completa
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Si deseas agregar un mensaje de regalo, o un acabado (rompecabezas, tablero de aluminio, etc.) que no esté disponible aquí, por favor solicítalo en la "nota del pedido" cuando realices la compra.
Cada pedido es hecho a medida, así que si necesitas que el tamaño se ajuste ligeramente, o que se imprima en un material inusual, háznoslo saber. Hemos realizado miles de pedidos personalizados a lo largo de los años, así que hay (casi) nada que no podamos gestionar.
También puedes contactarnos antes de hacer tu pedido, ¡si lo prefieres!
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Fritz Rumpf’s Fledermaus unter den Linden 14. Vergnügungs-Weinrestaurant, dated 1910, turns a Berlin nightspot into a tightly staged scene of appetite, conversation...
Seguir leyendoFritz Rumpf’s Fledermaus unter den Linden 14. Vergnügungs-Weinrestaurant, dated 1910, turns a Berlin nightspot into a tightly staged scene of appetite, conversation and display. Around a white-clothed table, sharply characterised figures emerge from a deep blue-black ground: a thoughtful man leans forward with a cigarette, a woman in an extravagant hat presents a tray of fruit, and an older gentleman in a vivid red jacket watches from behind. Wine glasses, silverware and a bottle chilling in an ice bucket establish the setting, but it is the interplay of glances and gestures that gives the poster its theatrical charge.
The restaurant was associated with Unter den Linden, Berlin’s celebrated central boulevard and a prominent setting for metropolitan sociability. Rumpf, a German artist born in 1856, was working at a moment when illustrated posters had become a conspicuous part of modern urban culture. Rather than offering a strictly documentary view of the venue, he constructs an alluring social world: polished, cosmopolitan and animated by the promise of late-evening entertainment. The lower inscription advertises the establishment as the “Vornehmstes Vergnügungs Weinrestaurant” and announces “Beginn 10 Uhr” — entertainment beginning at ten o’clock.
A closer look
The composition is deliberately asymmetrical. The seated man occupies the central foreground, his pale face and shirtfront set against the enveloping darkness. His forward-leaning pose directs attention towards the table, where differently shaped glasses catch crisp points of light. At the lower left, the angled neck of the bottle rises from its ice bucket, creating a visual counterweight to the figures clustered across the middle and right of the design.
Colour supplies much of the poster’s rhythm. Red appears in concentrated bursts — in clothing, fruit and small accents — while yellow and green enliven the tray carried by the woman. These saturated notes stand out against the dark backdrop and the cool whites of the table linen, glassware and clothing. The woman’s broad hat expands her silhouette dramatically, while the delicate pattern of her blouse introduces a finer decorative register amid the poster’s bold outlines and flat areas of colour.
Small details sharpen the sense of occasion. The cigarette held by the principal male figure suggests a pause within the surrounding activity; the older man’s alert expression adds another layer of observation. Reflections along the glasses and utensils give the table a bright, almost glittering edge, while the sparse background prevents the scene from becoming cluttered. Rumpf concentrates the experience of the restaurant into a handful of telling objects and faces, making the people themselves part of the advertisement.
Context and significance
The design belongs to the flourishing poster culture of early twentieth-century Germany, when commercial artists increasingly relied on immediate silhouettes, compressed space and strong colour contrasts to command attention in the street. Here, information and atmosphere are carefully separated but mutually reinforcing. The name “Fledermaus U. d. Linden 14” occupies the upper left, while the principal promotional message runs below the scene; between them, the diners embody the refined nocturnal world promised by the words.
What remains especially engaging is the poster’s ambiguity of mood. It is lively without showing obvious commotion, and luxurious without depending on an elaborate interior. A lowered gaze, a proffered tray, the sparkle of glass and the sudden flare of red are enough to evoke a sophisticated Berlin evening poised just before the entertainment begins.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Fritz Rumpf’s Fledermaus unter den Linden 14. Vergnügungs-Weinrestaurant, dated 1910, turns a Berlin nightspot into a tightly staged scene of appetite, conversation and display. Around a white-clothed table, sharply characterised figures emerge from a deep blue-black ground: a thoughtful man leans forward with a cigarette, a woman in an extravagant hat presents a tray of fruit, and an older gentleman in a vivid red jacket watches from behind. Wine glasses, silverware and a bottle chilling in an ice bucket establish the setting, but it is the interplay of glances and gestures that gives the poster its theatrical charge.
The restaurant was associated with Unter den Linden, Berlin’s celebrated central boulevard and a prominent setting for metropolitan sociability. Rumpf, a German artist born in 1856, was working at a moment when illustrated posters had become a conspicuous part of modern urban culture. Rather than offering a strictly documentary view of the venue, he constructs an alluring social world: polished, cosmopolitan and animated by the promise of late-evening entertainment. The lower inscription advertises the establishment as the “Vornehmstes Vergnügungs Weinrestaurant” and announces “Beginn 10 Uhr” — entertainment beginning at ten o’clock.
A closer look
The composition is deliberately asymmetrical. The seated man occupies the central foreground, his pale face and shirtfront set against the enveloping darkness. His forward-leaning pose directs attention towards the table, where differently shaped glasses catch crisp points of light. At the lower left, the angled neck of the bottle rises from its ice bucket, creating a visual counterweight to the figures clustered across the middle and right of the design.
Colour supplies much of the poster’s rhythm. Red appears in concentrated bursts — in clothing, fruit and small accents — while yellow and green enliven the tray carried by the woman. These saturated notes stand out against the dark backdrop and the cool whites of the table linen, glassware and clothing. The woman’s broad hat expands her silhouette dramatically, while the delicate pattern of her blouse introduces a finer decorative register amid the poster’s bold outlines and flat areas of colour.
Small details sharpen the sense of occasion. The cigarette held by the principal male figure suggests a pause within the surrounding activity; the older man’s alert expression adds another layer of observation. Reflections along the glasses and utensils give the table a bright, almost glittering edge, while the sparse background prevents the scene from becoming cluttered. Rumpf concentrates the experience of the restaurant into a handful of telling objects and faces, making the people themselves part of the advertisement.
Context and significance
The design belongs to the flourishing poster culture of early twentieth-century Germany, when commercial artists increasingly relied on immediate silhouettes, compressed space and strong colour contrasts to command attention in the street. Here, information and atmosphere are carefully separated but mutually reinforcing. The name “Fledermaus U. d. Linden 14” occupies the upper left, while the principal promotional message runs below the scene; between them, the diners embody the refined nocturnal world promised by the words.
What remains especially engaging is the poster’s ambiguity of mood. It is lively without showing obvious commotion, and luxurious without depending on an elaborate interior. A lowered gaze, a proffered tray, the sparkle of glass and the sudden flare of red are enough to evoke a sophisticated Berlin evening poised just before the entertainment begins.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Muchos de nuestros mapas y reproducciones de arte se eligen como regalos considerados para hogares, oficinas, despachos y lugares significativos.
Elija una opción enmarcada para el regalo más sencillo, listo para colgar, o elija una lámina sin enmarcar si el destinatario prefiere seleccionar su propio marco.
Producimos los pedidos localmente en 23 países de todo el mundo, por lo que a menudo los regalos pueden realizarse cerca del destinatario. Esto ayuda a que lleguen más rápido, viajen de forma más segura y eviten sorpresas por aduanas o aranceles de importación.
- Podemos entregar directamente al destinatario
- Las piezas enmarcadas llegan listas para colgar
- Las láminas sin enmarcar se embalan cuidadosamente en un resistente tubo protector
- Casi todos los pedidos se producen localmente, para regalar de forma más rápida y segura
- Las devoluciones de 90 días dan al destinatario tiempo para decidir
Si no está seguro de qué elegir, por favor contáctenos. Podemos ayudarle a escoger el mapa, tamaño, acabado u opción de entrega adecuados.
Para la mayoría de los pedidos, el tiempo de entrega es de aproximadamente 3 días laborables. Los productos personalizados y a medida tardan más, ya que tengo que hacer la personalización y enviártelo para su aprobación, lo cual suele tardar 1 o 2 días.
Tenga en cuenta que los pedidos enmarcados muy grandes suelen tardar más en fabricarse y entregarse.
Si necesitas que tu pedido llegue para una fecha determinada, por favor contáctame antes de hacer el pedido para que podamos encontrar la mejor manera de asegurarnos de que recibas tu pedido a tiempo.
Imprimo y enmarco mapas y obras de arte en 23 países alrededor del mundo. Esto significa que tu pedido se fabricará localmente, lo que reduce el tiempo de entrega y asegura que no se dañe durante el envío. Nunca pagarás aranceles de aduana o impuestos de importación, y pondremos menos CO2 en el aire.
Todos mis mapas y impresiones artísticas están bien empaquetados y enviados en un tubo resistente si no están enmarcados, o rodeados de espuma si están enmarcados.
Intento enviar todos los pedidos dentro de 1 o 2 días después de recibir tu pedido, aunque algunos productos (como mascarillas, tazas y bolsas de tela) pueden tardar más en fabricarse.
Si seleccionas Entrega Exprés al finalizar la compra, priorizaremos tu pedido y lo enviaremos por mensajería de 1 día (Fedex, DHL, UPS, Parcelforce).
La entrega al día siguiente también está disponible en algunos países (EE. UU., Reino Unido, Singapur, EAU), pero por favor intenta hacer tu pedido temprano en el día para que podamos enviarlo a tiempo.
Mi marco estándar es un marco de madera de fresno negro estilo galería. Es simple y tiene un aspecto bastante moderno. Mi marco estándar tiene alrededor de 20 mm (0.8 in) de ancho.
Utilizo acrílico super claro (perspex/acrylite) para el vidrio del marco. Es más ligero y seguro que el vidrio, y se ve mejor, ya que la reflectividad es menor.
Seis colores de marco estándar están disponibles de forma gratuita (negro, marrón oscuro, gris oscuro, roble, blanco y oro antiguo).El enmarcado y montaje/matizado personalizado está disponible si buscas algo diferente.
La mayoría de los mapas, arte e ilustraciones también están disponibles como un lienzo enmarcado. Utilizamos lienzo de algodón mate (no brillante), lo estiramos sobre un marco de madera de caja de origen sostenible, y luego 'flotamos' la pieza dentro de un marco de madera. El resultado final es bastante hermoso, y no hay cristal que se interponga.
Todos los marcos se proporcionan "listos para colgar", con una cuerda o soportes en la parte posterior. Los marcos muy grandes tendrán placas de colgar de alta resistencia y/o un listón de montaje. Si tienes alguna pregunta, por favor ponte en contacto.
Mira algunos ejemplos de mis mapas enmarcados y mapas en lienzo enmarcados.
Alternativamente, también puedo proporcionar mapas antiguos y obras de arte en lienzo, tablero de espuma, papel de algodón y otros materiales.
Si deseas enmarcar tu mapa o obra de arte tú mismo, por favor lee mi guía de tamaños primero.
Trabajamos con diseñadores de interiores, empresas de hostelería, profesionales inmobiliarios, oficinas y compradores corporativos en piezas individuales y proyectos coordinados de mayor envergadura.
Esta obra puede adaptarse a una pared, estancia o proyecto concretos, y nuestro taller puede ayudar a coordinar las dimensiones, el material y el enmarcado antes de la producción.
- Dimensiones exactas, sobredimensionadas y a medida
- Enmarcado, montaje y materiales alternativos personalizados
- Piezas coordinadas para varias estancias o ubicaciones
- Personalización de la obra, para ajustar el color y el estilo de la pieza
- Asesoramiento sobre la obra y el enmarcado por parte de nuestro taller
- Producción local para proyectos en todo el mundo
Cada impresión artística restaurada comienza con la obra original del artista; nunca con un reemplazo generado por IA.
Nuestro estudio de Londres trabaja a partir de material de origen cuidadosamente seleccionado de museos, bibliotecas, archivos y colecciones privadas. Restauramos el deterioro por el paso del tiempo, la coloración desvaída y las imperfecciones de reproducción, preservando al mismo tiempo la composición, la pincelada, el trazo, la textura y el carácter de época del artista.
No utilizamos IA generativa para redibujar, reinterpretar ni inventar la obra. La restauración digital se emplea únicamente para recuperar y reproducir la obra original con la mayor fidelidad posible.
Una vez restaurada, la obra maestra se prepara para el tamaño y el acabado que haya elegido. Después, su pieza se imprime y, cuando se selecciona, se enmarca cerca de su destino de entrega.
Nuestras impresiones artísticas giclée utilizan papel mate de archivo libre de ácido de 200 g/m² y tintas de pigmento resistentes a la decoloración para ofrecer un acabado rico, de calidad museística. Las impresiones artísticas enmarcadas utilizan acrílico óptico cristalino y llegan listas para colgar.
También están disponibles ediciones en lienzo enmarcado y ediciones especiales sobre algodón-rag. Obtenga más información sobre nuestros materiales y acabados.
Llevamos restaurando y produciendo mapas y láminas artísticas desde 1984, y respondemos por cada pieza.
Todos los pedidos están cubiertos por nuestra garantía de 10 años y nuestra garantía de entrega sin daños. Si su pieza llega dañada, la sustituiremos o la volveremos a producir sin cargo alguno. Si cualquier otro aspecto no es correcto, contacte con nuestro equipo de taller y lo resolveremos con prontitud.
Consulte nuestra política de devoluciones y reembolsos para conocer todos los detalles.
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Fritz Rumpf’s Fledermaus unter den Linden 14. Vergnügungs-Weinrestaurant, dated 1910, turns a Berlin nightspot into a tightly staged scene of appetite, conversation and display. Around a white-clothed table, sharply characterised figures emerge from a deep blue-black ground: a thoughtful man leans forward with a cigarette, a woman in an extravagant hat presents a tray of fruit, and an older gentleman in a vivid red jacket watches from behind. Wine glasses, silverware and a bottle chilling in an ice bucket establish the setting, but it is the interplay of glances and gestures that gives the poster its theatrical charge.
The restaurant was associated with Unter den Linden, Berlin’s celebrated central boulevard and a prominent setting for metropolitan sociability. Rumpf, a German artist born in 1856, was working at a moment when illustrated posters had become a conspicuous part of modern urban culture. Rather than offering a strictly documentary view of the venue, he constructs an alluring social world: polished, cosmopolitan and animated by the promise of late-evening entertainment. The lower inscription advertises the establishment as the “Vornehmstes Vergnügungs Weinrestaurant” and announces “Beginn 10 Uhr” — entertainment beginning at ten o’clock.
A closer look
The composition is deliberately asymmetrical. The seated man occupies the central foreground, his pale face and shirtfront set against the enveloping darkness. His forward-leaning pose directs attention towards the table, where differently shaped glasses catch crisp points of light. At the lower left, the angled neck of the bottle rises from its ice bucket, creating a visual counterweight to the figures clustered across the middle and right of the design.
Colour supplies much of the poster’s rhythm. Red appears in concentrated bursts — in clothing, fruit and small accents — while yellow and green enliven the tray carried by the woman. These saturated notes stand out against the dark backdrop and the cool whites of the table linen, glassware and clothing. The woman’s broad hat expands her silhouette dramatically, while the delicate pattern of her blouse introduces a finer decorative register amid the poster’s bold outlines and flat areas of colour.
Small details sharpen the sense of occasion. The cigarette held by the principal male figure suggests a pause within the surrounding activity; the older man’s alert expression adds another layer of observation. Reflections along the glasses and utensils give the table a bright, almost glittering edge, while the sparse background prevents the scene from becoming cluttered. Rumpf concentrates the experience of the restaurant into a handful of telling objects and faces, making the people themselves part of the advertisement.
Context and significance
The design belongs to the flourishing poster culture of early twentieth-century Germany, when commercial artists increasingly relied on immediate silhouettes, compressed space and strong colour contrasts to command attention in the street. Here, information and atmosphere are carefully separated but mutually reinforcing. The name “Fledermaus U. d. Linden 14” occupies the upper left, while the principal promotional message runs below the scene; between them, the diners embody the refined nocturnal world promised by the words.
What remains especially engaging is the poster’s ambiguity of mood. It is lively without showing obvious commotion, and luxurious without depending on an elaborate interior. A lowered gaze, a proffered tray, the sparkle of glass and the sudden flare of red are enough to evoke a sophisticated Berlin evening poised just before the entertainment begins.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.